Siegfried

(Paperback)

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Description

Wagner wanted Siegfried, the third music drama in The Ring of the Nibelung, to be the most popular of the cycle. Despite its many beautiful and dramatic scenes, it has not fulfilled its composer's aspiration: Professor Ulrich Weisstein examines why. Professor Anthony Newcomb contributes a detailed analysis of Wagner's leitmotifs, identifying the different purposes they fulfil. Derrick Puffett discusses the fact that Wagner composed Tristan und Isolde and Die Meistersinger von Nurnberg in the eight-year hiatus between his beginning and completion of Siegfried's second act; Puffett explores the subsequent changes in Wagner's musical imagination that enabled the composer to complete his enormous task. The thematic guide complements those found in the other Opera Guides to The Ring Cycle.

Reviews

Brilliantly produced and superb value.' * Sunday Times *
All these will provide the new opera-goer with food for thought.' * Daily Telegraph *
Wholehearted recommendation of this valuable new series.' * TLS *

Author Bio

Richard Wagner (181383) was a composer who drew inspiration from Christian and Nordic mythology, as well as the philosophy of Schopenhauer, to pioneer dramatically new forms of music. His concept of the Total Artwork led to the construction of the Bayreuth Festspielhaus, an opera house he designed specifically for productions of his own operas. He also wrote widely on music and art. His operas include Tristan und Isolde, Die Meistersinger von Nrnberg and the four parts of Der Ring des Nibelungen.