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Beat Happening's Beat Happening

(Paperback)


Publishing Details

Full Title:

Beat Happening's Beat Happening

Contributors:

By (Author) Bryan C. Parker

ISBN:

9781628929270

Series:
Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Academic USA

Publication Date:

24th September 2015

Country:

United States

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

Musicians, singers, bands and groups
Composers and songwriters

Dewey:

782.421660922

Physical Properties

Physical Format:

Paperback

Number of Pages:

184

Dimensions:

Width 121mm, Height 165mm

Weight:

175g

Description

This is the album that sent a shockwave of empowerment through the nations cultural underground. In 1985, Olympia, Washington band Beat Happening released their eponymous debut of lo-fi pop songs on K Records and challenged every conception held about music. At the center of the group was the enigmatic Calvin Johnson and his revolutionary vision of artistic creation. His foresight and industriousness allowed him to recruit to the K Records roster other free-spirited artists like Beck, Modest Mouse, and Built to Spill long before they gained widespread acclaim. This book, structured in abecedarian fashion, breaks down the fundamental components that defined Beat Happenings self-titled album. With a foreword by Phil Elverum, it's organized in a light-hearted yet incisive format, each of the books chapters details a particular facet of the recordband members, historic shows, recording sessions, songs, and ideologiesparts reflecting the album as a whole. These alphabetic ingredients constitute a recipe book for feeding your creative spirit. Here is the story of a band that popularized do-it-yourself projects and home recording with four-track tape machines decades before the digital revolution would extend an open hand to garage bands everywhere. This is the story of musical pioneers. This is Beat Happening.

Reviews

I actually saw their first performance. It was in somebodys kitchen, and Calvin jumped up and started performing on somebodys kitchen top. I thought from the first moment I heard their stuff that he had a very unique take on punk ... It was really quirky and really affected, but they were the ultimate DIY band. They had two instruments, which they borrowed they didnt even own the instruments and they never rehearsed ... So heres this band who dont own instruments, dont rehearse, they didnt even pay for their own records, and yet their first album is being honoured in the book series 33 1/3. Youve got the Ramones, Michael Jackson, the Beatles oh, and Beat Happening ... I think that Beat Happening got the respect they deserved ... It was them going: 'We are punk. This is who we are. Were not going to conform or change what we do based on peer pressure.' -- Gwilym Mumford * The Guardian *
A is for action, B is for Bret, C is for Calvinand so on Parker does admirable work here in describing the origins of the bands sensibilities (improvisational theater and early exposure to feminism are both key), and how those sensibilities put them at odds with punk as the scene was getting more violent and exclusionary. As with all volumes of the 33 1/3 series, Ill judge Parkers work on how much it enhanced my understanding of the album and whether or not that enhanced perspective made me want to revisit it with fresh ears. Hes successful on both fronts. * Midnight to Six *

Author Bio

Bryan Parker is a writer and photographer living in Austin, TX, USA. He is editor-in-chief of the blog Pop Press International and creator of the quarterly print journal True Sincerity.

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