Bloomsbury Encyclopedia of Popular Music of the World, Volume 3: Locations - Caribbean and Latin America
By (Author) Dr. John Shepherd
Edited by David Horn
Edited by Dave Laing
Bloomsbury Publishing PLC
Bloomsbury Academic USA
25th February 2016
United States
Tertiary Education
Non Fiction
Popular culture
Reference works
781.63098
Hardback
400
Width 169mm, Height 244mm
826g
The Bloomsbury Encyclopedia of Popular Music Volume 3 is one of five volumes within the 'Locations' strand of the series. This volume discusses popular music of the Caribbean and Latin America in a historical, geographical, demographical, political, economic, and cultural context. It also examines the genres associated with the region, significant venues such as theatres, dance halls, clubs and bars, and notable performers and other practitioners such as producers, engineers, and technological innovators. The volume consists of over 90 entries written by more than 60 leading popular music scholars and practitioners, including Jos de Menezes Bastos on Brazil and Peter Manuel on India and the Caribbean Islands. This and all other volumes of the Encyclopedia are now available through an online version of the Encyclopedia: https://www.bloomsburypopularmusic.com/encyclopedia-workdocid=BPM_reference_EPMOW. A general search function for the whole Encyclopedia is also available on this site. A subscription is required to access individual entries. Please see: https://www.bloomsburypopularmusic.com/for-librarians.
David Horn was a founding editor of the journal Popular Music and a founding member of IASPM (The International Association for the Study of Popular Music). Together with the blues scholar Paul Oliver he first proposed the idea of EPMOW in the 1980s, and has worked on the project since that time. John Shepherd is Vice-Provost and Associate Vice-President (Academic) and Chancellors Professor of Music and Sociology at Carleton University, Ottawa, Canada. In 2000, he was elected a Fellow of the Royal Society of Canada in recognition of his role as a leading architect of a post-War critical musicology. Dave Laing is the author of several books on popular music and a former editor of Music Week. He is a former Research Fellow at the University of Westminster, UK where he conducted research on the music industry.