South African Popular Music
By (Author) Lior Phillips
Bloomsbury Publishing PLC
Bloomsbury Academic USA
29th June 2023
United States
Professional and Scholarly
Non Fiction
Music: styles and genres
Pressure groups, protest movements and non-violent action
781.630968
Paperback
192
Width 127mm, Height 197mm
From the storied ache of mbube harmonies of the 40s to the electronic boom of kwaito and the amapiano and house explosion of the 00s, this book explores vignettes taken from across South Africas popular music history. There are moments in time where music can be a mighty weapon in the fight for freedom. Disguised in a danceable hook or shouted for the world to hear, artists have used songs to deliver important truths and bring listeners together in the face of a segregated reality. In the grip of the brutal apartheid era, South Africa crafted its own idiosyncratic popular musical vernacular that operated both as sociopolitical tool and realm of escape. In a country with 11 official languages, music had the power to unite South Africans in protest. Artists bloomed a new idyll from the branches of countless storied musical traditions, and in turn found themselves banned or exiledthe profound epiphany that music can exist both within the pleasure of itself and for serving a far greater purpose.
Lior Phillips is a South African music and culture journalist originally from Cape Town, now based in Chicago, USA. She writes about music, film, art, and more for international publications, including Dazed and Confused Magazine, The Recording Academy, Variety, Billboard, Rolling Stone, Pitchfork, The Quietus, NPR, The Guardian, Consequence of Sound, and GQ South Africa. In addition, she is the creator, producer, and host of This Must Be the Gig, a podcast dedicated to artists vital memories of their first gigs and passion for live music and performance.