Stevie Wonder's Songs in the Key of Life
By (Author) Zeth Lundy
Bloomsbury Publishing PLC
Continuum International Publishing Group Ltd.
15th March 2007
United Kingdom
General
Non Fiction
Musicians, singers, bands and groups
Composers and songwriters
Music recording and reproduction
782.42166092
Paperback
168
Width 121mm, Height 165mm
162g
Like all double albums, Songs in the Key of Life is imperfect but audacious. If its titular concern - life - doesn't exactly allow for rigid focus, it's still a fiercely inspired collection of songs and one of the definitive soul records of the 1970s. Stevie Wonder was unable to control the springs of his creativity during that decade. Upon turning 21 in 1971, he freed himself from the Motown contract he'd been saddled with as a child performer, renegotiated the terms, and unleashed hundreds of songs to tape. Over the next five years, Wonder would amass countless recordings and release his five greatest albums - as prolific a golden period as there has ever been in contemporary music. But Songs in the Key of Life is different from the four albums that preceded it; it's an overstuffed, overjoyed, maddeningly ambitious encapsulation of all the progress Stevie Wonder had made in that short space of time. Zeth Lundy's book, in keeping with the album's themes, is structured as a life cycle. It's divided into the following sections: Birth; Innocence/Adolescence; Experience/Adulthood; Death; Rebirth. Within this framework, Zeth Lundy covers Stevie Wonder's excessive work habits and recording methodology, his reliance on synthesizers, the album's place in the gospel-inspired progression of 1970s R'n'B, and many other subjects.
Extracts from book featured in One Week To Live, 2007
Interview with author in Metro NY
Zeth Lundy is the Executive Editorial Director for Double Elvis. His writing has appeared in The Boston Globe, Boston Phoenix, and the Oxford American.