The Beatles and Black Music: Post-Colonial Theory, Musicology and Remix Culture
By (Author) Dr Richard Mills
Bloomsbury Publishing PLC
Bloomsbury Academic USA
12th June 2025
United States
Tertiary Education
Non Fiction
Musicians, singers, bands and groups
Composers and songwriters
Popular culture
Ethnic groups and multicultural studies
780.721
Hardback
280
Width 152mm, Height 229mm
The Beatles and Black Music discusses the influence that black music and culture has had over the Beatles throughout their career. The book adopts a musicological and historiographic account to demonstrate the extent to which Liverpools colonial history has influenced the Beatles music. Beginning with the grand narrative British colonial history pre-Beatles, it moves through the influence on the Beatles teenage years in the 1950s, through their association with Lord Woodbine, the Beatles love American Rhythm and Blues in the mid-1960s, a discussion of post-colonial British identity to the lasting effect black music has for the Beatles legacy and still has on the solo careers of Ringo Starr and Paul McCartney. Tracing the history from the Slave Trade in 1795 to the nascent Mersey Beat scene in the early 1960s, this book is the first to explore the Beatles from this important cultural lens.
Richard Mills is Programme Director and Senior Lecturer in Cultural Studies and Screen Media at the School of Arts and Humanities at St Marys University, Twickenham, UK. He is the author of The Beatles and Fandom (Bloomsbury 2019) and co-editor with Lee Brooks and Mark Donnelly of Mad Dogs and Englishness (Bloomsbury 2017).