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The Rock Music Imagination

(Paperback)

Available Formats


Publishing Details

Full Title:

The Rock Music Imagination

Contributors:

By (Author) Robert McParland

ISBN:

9781498588546

Publisher:

Bloomsbury Publishing PLC

Imprint:

Lexington Books

Publication Date:

4th March 2022

Country:

United States

Classifications

Readership:

Professional and Scholarly

Fiction/Non-fiction:

Non Fiction

Main Subject:
Dewey:

781.660904

Physical Properties

Physical Format:

Paperback

Number of Pages:

218

Dimensions:

Width 154mm, Height 219mm, Spine 17mm

Weight:

327g

Description

The Rock Music Imagination is an exploration of rock artists in their social and artistic contexts, particularly between 1964 and 1980, and of rock music in relation to literature, that is, creative expression, fantastic imagination, and contemporary fiction about rock. Robert McParland analyzes how rock music touches our imaginative lives by looking at themes that appear in classic rock music: freedom and liberation, utopia and dystopia, community, rebellion, the outsider, the quest for transcendence, monstrosity, erotic and spiritual love, imaginative vision, and mystery. The Rock Music Imagination explores blues imagination, countercultural dreams of utopia, rocks critiques of society and images of dystopia, rocks inheritance from romanticism, science fiction and mythic imagination in progressive rock, and rocks global reach and potential to provide hope and humanitarian assistance.

Reviews

In this addition to the "For the Record: Lexington Studies in Rock and Popular Music" series, McParland (English, Felician Univ., and an ASCAP member) focuses on the period between 1964 (the beginning of the "British invasion") and the 1980s and joins the daunting discussion of rocks social and artistic contexts and rock music in relation to literature as a product of rock musics imagination. McParland focuses such classic themes as liberation, freedom, utopia/dystopia, the outsider, imaginative vision, and mystery. Including abundant references to songs and artists, discussions hinge on the author's extensive source work. He researched the standard literature on American popular music (specifically music of the 1960s), including work by all the usual suspectsWalter Everett, Susan McClary, Robert Walser. McParland discusses significant aspects of the musical imagination in reference to the blues, progressive rock, punk and new wave, the lyricist as poet, rock in literature, music as community identity/identifier, and the role of the musical imagination in the face of crisis. Part music history, part cultural analysis, The Rock Music Imagination works hard to address heady issues in American popular music.



Summing Up: Recommended. Upper-division undergraduates through faculty.

* Choice *
The Rock Music Imagination takes on a huge and sprawling topicand doesnt disappoint. Robert McParland maps out the diverse and complex terrain of the rock music imagination during its height of creativity from 1964 to 1980. Drawing on multiple theories concerning the creative process, he cuts a path through blues and psychedelic rock, folk rock and prog rock, utopian and dystopian imaginings, science fiction meanderings and humanitarian appeals, and more. It is an ambitious undertaking that not only succeeds but also suggests further lines of inquiry to the serious student of rock music. -- Thomas Kitts, co-editor of Popular Music and Society and Rock Music Studies
McParlands The Rock Music Imagination explores the roles of creativity, imagination, and emotional expression in the era of 'classic rock' in a manner that is rewarding for the indoctrinated fan and accessible for the uninitiated reader. For those familiar with the subjects, McParland presents novel readings, interpretations, and connections between the popular and less popular, the creative process (produced from within the established commercial recording industry), and literature and related arts. For the newer fan of classic rock music, The Rock Music Imagination provides a primer of introduction that eschews linear and temporal timelines, scenes, and surface relations in favor of creative and imaginative connections between otherwise disconnected artists. Far from the repetitive playlists of classic rock format radio, McParland rescues classic rocks creative influence from the banality of one or two representative songs by nostalgia acts in favor of a web-like analysis of innovators and innovation in one of popular musics greatest 'golden eras.' -- Colin Helb, Elizabethtown College

Author Bio

Robert McParland is professor of English at Felician University.

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