The Rolling Stones: Sociological Perspectives
By (Author) Helmut Staubmann
Contributions by Andrea Baker
Contributions by Matteo Bortolini
Contributions by Andrea Cossu
Contributions by Marlie Centawer
Contributions by Daniel M. Downes
Contributions by June Madeley
Contributions by Jason T. Eastman
Contributions by Barry J. Faulk
Contributions by Andre Millard
Bloomsbury Publishing PLC
Lexington Books
3rd June 2013
United States
Professional and Scholarly
Non Fiction
Gender studies: men and boys
Music reviews and criticism
Popular culture
Sociology
Musicians, singers, bands and groups
Composers and songwriters
782.42166092
Paperback
254
Width 154mm, Height 228mm, Spine 19mm
381g
The Rolling Stones: Sociological Perspectives, edited by Helmut Staubmann, draws from a broad spectrum of sociological perspectives to contribute both to the understanding of the phenomenon Rolling Stones and to an in-depth analysis of contemporary society and culture that takes The Stones a starting point. Contributors approach The Rolling Stones from a range of social science perspectives including cultural studies, communication and film studies, gender studies, and the sociology of popular music. The essays in this volume focus on the question of how the worldwide success of The Rolling Stones over the course of more than half a century reflects society and the transformation of popular culture.
Keith Richards once told me that rock 'n' roll can only be appreciated below the neck. He may have had a point. But after 50 years of shaping our culture's attitudestoward sex, fashion, art, politics and businessthe Stones have clearly traversed beyond the visceral. They deserve to be intellectually interrogated by a bunch of sociologistsas they are in this eye-opening book. -- Bill German, author of UNDER THEIR THUMB: HOW A NICE BOY FROM BROOKLYN GOT MIXED UP WITH THE ROLLING STONES (AND LIVED TO TELL ABOUT IT)
Staubmanns book is a choral sociological study tuned to let the reader immerse and enjoy the variety of aesthetic nuances of the venerated social artifact constituted by Rolling Stones music creation and their performance innovations. -- Antonio Strati, University of Trento, Italy
Helmut Staubmann is professor for social theory and cultural sociology and dean of the School of Political Science and Sociology at the University of Innsbruck, Austria. His research focuses on questions of aesthetics and society.