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Twentieth-Century American Music for the Dance: A Bibliography

(Hardback)


Publishing Details

Full Title:

Twentieth-Century American Music for the Dance: A Bibliography

Contributors:

By (Author) Isabelle Emerson

ISBN:

9780313293504

Publisher:

Bloomsbury Publishing PLC

Imprint:

Greenwood Press

Publication Date:

23rd August 1996

Country:

United States

Classifications

Readership:

Tertiary Education

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

Bibliographies, catalogues

Dewey:

016.7815540973

Physical Properties

Physical Format:

Hardback

Number of Pages:

240

Description

Twentieth-Century American Music for the Dance: A Bibliography provides a guide to one of the most important areas of modern music. The close and mutually beneficial relationship that has existed between dance and music from the early days of this century and the collaboration of Fokine or Nijinsky and Stravinsky to the later years and the partnership of Cunningham and Cage has yielded a formidably large repertoire of musicmuch of it, like its partner-art, in the vanguard of modern creativity. Dance commissions have brought into existence music that would otherwise not have been created; dance performance has in many cases afforded an audience for music that would otherwise have gone unheard. Dance has shown itself, especially in the United States, to be a nurturing theatre for modern music, while music has in turn proved to be extraordinary stimulus to the dance. This bibliography provides for the first time data about compositions, composers, and choreographers, including information about first performances, publishers, and location of scores. Composers and choreographers, students and historians, professional musicians and dancers, and aficionados of music and art will find this reference work extremely useful. The bibliography is arranged alphabetically by composer; indexes by composition and by choreographer provide ready access to each work. Lists of composer-choreographer and choreographer-composer partnerships are included.

Author Bio

ISABELLE EMERSON is Associate Professor of Music at the University of Nevada, Las Vegase She is a musicologist, organist, and pianist, having studied organ with Searle Wright at Columbia University and with Helmut Walcha as a Fulbright Exchange student in Frankfurt/Main, Germany. Dr. Emerson's publications include essays on Mozart, operatic heroines, and the pianism of Johannes Brahms.

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