|    Login    |    Register

The 21st-Century Voice: Contemporary and Traditional Extra-Normal Voice

(Paperback, Second Edition)


Publishing Details

Full Title:

The 21st-Century Voice: Contemporary and Traditional Extra-Normal Voice

Contributors:
ISBN:

9780810888401

Publisher:

Bloomsbury Publishing PLC

Imprint:

Rowman & Littlefield Publishers

Publication Date:

16th April 2015

Edition:

Second Edition

Country:

United States

Classifications

Readership:

Tertiary Education

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Techniques of music / music tutorials / teaching of music

Dewey:

783.04

Physical Properties

Physical Format:

Paperback

Number of Pages:

230

Dimensions:

Width 213mm, Height 280mm, Spine 15mm

Weight:

658g

Description

In The 21st-Century Voice: Contemporary and Traditional Extra-Normal Voice, Michael Edward Edgerton considers contemporary vocal techniques within an acoustic and anatomical framework. Throughout, he proposes new directions for vocal exploration. Much more than a historical treatise on 20th-century masterworks or vocal science, The 21st-Century Voice explores experimental methods of sound production, offering a systematic series of approaches and methods for assessing, engaging, and, in some instances, overcoming the assumed limits of vocal singing. Appearing a decade after the publication of the first edition, this second edition draws on and advances our current understandings of voice production. Divided into four partsair flow, source, resonance/articulation, and heightened potentialsEdgerton considers crucial matters affecting vocal production, such as 1.Registral challenges 2.Filtering 3.Airflow modification 4.Combinatorial, multiphonic principles 5.Extreme voice possibilities 6.Multidimensional vocal issues With more than 250 illustrations, 150 associated audio tracks, an extended appendix on voice science, a glossary of key terms, and lists of representative compositions, The 21st-Century Voice will appeal to composers and performers interested in exploring the ever-broadening range of vocal possibilities. Its engagement with the complexities of vocal production should also be relevant to students and scholars of voice science, acoustics, linguistics, computer modeling, and more.

Author Bio

Michael Edward Edgerton is a composer and performer who has received awards and recognition in the United States, Europe, and Asia, including the important German prize, the Kompositionspreis der Landeshauptstadt Stuttgart, in 2007. Influenced by the study of voice science, psychoacoustics and ethnic music, his compositions apply physical and perceptual models to multidimensionality & Nonlinear Phenomenon. Although his music is highly technical, it is his intuition his ear that gives birth to the music. His compositions have been performed by ensembles and soloists around the world. His research into voice, acoustics, and perception has been published in leading scholarly journals.

See all

Other titles from Bloomsbury Publishing PLC