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Bea Palya's I'll Be Your Plaything

(Hardback)

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Publishing Details

Full Title:

Bea Palya's I'll Be Your Plaything

Contributors:

By (Author) Dr. Andrs Rnai
By (author) Professor or Dr. Anna Szemere

ISBN:

9781501354434

Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Academic USA

Publication Date:

6th October 2022

Country:

United States

Classifications

Readership:

Tertiary Education

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Composers and songwriters
Other global and regional music styles
Popular music

Dewey:

781.6409439

Physical Properties

Physical Format:

Hardback

Number of Pages:

168

Dimensions:

Width 127mm, Height 197mm

Weight:

290g

Description

For decades, the state-run music industry in Hungary has artificially isolated musical worlds. The 2010 album Ill Be Your Plaything is a concept album comprising at times drastically re-imagined cover versions of Hungarys most popular hits from the socialist era. As such it is a testament to music as a mediums aptness to reflect on public and personal pasts. The album moreover exemplifies how rich and appealing synthesis of sounds and traditions can be concocted when folk, classically trained, rock, and jazz musical artists collaborate. Along with this freedom to blend and synthesize, the album opens up some long overdue space for women; playing with personas, voices, and singing styles, Palya reflects on issues of femininity, maternity, sexuality, and coupledom across generations.

Author Bio

Anna Szemere has taught courses on the sociology of popular culture at the University of California, San Diego, USA, Emory University, USA, and the Central European University, Budapest, Hungary. She is the author of Up From the Underground: The Culture of Rock Music in Postsocialist Hungary (2001). She has served on the International Association for the Study of Popular Music as well as on Popular Musics editorial board; currently she is a consultant for Bloomsburys Popular Music and Sound Studies. Andrs Rnai has a PhD in Philosophy from University of Debrecen, Hungary. He is a music journalist extensively covering Hungarian popular music and the music industry, among other topics. His English language articles have been published in volumes like Made in Hungary: Studies in Popular Music (2017) and Popular Music, Technology, and the Changing Media Ecosystem (2020).

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