Sellout: The Major-Label Feeding Frenzy That Swept Punk, Emo, and Hardcore (1994-2007)

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NATIONAL BESTSELLER

AN NPR BEST BOOK OF THE YEAR

Ozzis reporting is strong, balanced and well told...a worthy successor to its obvious inspiration, Michael Azerrads 2001 examination of the 80s indie underground, Our Band Could Be Your Life.New York Times Book Review

A raucous history of punk, emo, and hardcores growing pains during the commercial boom of the early 90s and mid-aughts, following eleven bands as they sell out and find mainstream fame, or break beneath the weight of it all.

Punk rock found itself at a crossroads in the mid-90s. After indie favorite Nirvana catapulted into the mainstream with its unexpected phenomenon,Nevermind, rebellion was suddenlyen vogue. Looking to replicate the bands success, major record labels set their sights on the underground, and began courting punks rising stars. But the DIY punk scene, which had long prided itself on its trademark authenticity and anti-establishment ethos, wasnt quite ready to let their homegrown acts go without a fight. The result was a schism: those who accepted the cash flow of the majors, and those who defiantly clung to their indie cred.

InSellout,seasoned music writer Dan Ozzi chronicles this embattled era in punk. Focusing on eleven prominent bands who made the jump from indie to major,Selloutcharts the twists and turns of the last gold rush of the music industry, where some groups sold out and rose to surprise super stardom, while others buckled under mounting pressures. Selloutis both a gripping history of the music industrys evolution, and a punk rock lovers guide to the chaotic darlings of the post-grunge era, featuring original interviews and personal stories from members of modern punks most (in)famous bands:

• Green Day
• Jawbreaker
• Jimmy Eat World
• Blink-182
• At the Drive-In
• The Donnas
• Thursday
• The Distillers
• My Chemical Romance
• Rise Against
• Against Me!

Reviews

Engrossinga rigorously researched look at how labels targeted bands and fought to sign them. Jim Ruland,Los Angeles Times [Ozzi] looked at the major label debuts of different bands in this genre, tracing a music industry in flux, fans betrayed by their idols, and bands trying to navigate the machine. NPRsAll Things Considered A forensic and uniquely sympathetic dive into one of the most uncouth actions for an artistselling out, baby. Jeff Rosenstock Fascinating When it comes to the topic of punk, or more specifically, the iteration of the genre that existed during the last era of the traditional music industry, Dan Ozzis Sellout is poised to serve as a definitive text. San Francisco Chronicle Based on a trove of original interviews and personal stories from band members and other crucial players, Ozzi examines how 11 groups grappled with the tension between punks core tenets and major label possibilities, and parses what success and failure looked like in this fraught realm. Rolling Stone

Author Bio

DAN OZZI is a writer the New York Times called "the last real rock critic alive." He is the coauthor of TRANNY: Confessions of Punk Rock's Most Infamous Anarchist Sellout, which was included on Billboard's The 100 Greatest Music Books of All Time. He lives in Los Angeles with his unmanageable record collection.