The Annotated Ring Cycle: The Valkyrie (Die Walkre)
By (Author) Frederick Paul Walter
Illustrated by Cliff Mott
Bloomsbury Publishing PLC
Rowman & Littlefield Publishers
15th July 2021
United States
Paperback
174
Width 206mm, Height 255mm, Spine 11mm
417g
Richard Wagners magnum opus meets the celebrated translator of Jules Verne novels in this colorful and original work.
Frederick Paul Walter makes The Valkyrie accessible not only to scholars and opera buffs but also to fans of Tolkien, Star Wars, and Hogwarts through a dazzling new translation in lively modern English and annotations that spotlight the libretto, lyrics, and stage directions. The translation conveys Wagners humor, rhymes, alliterative effects, subliminal messages, and inventive tale spinning, plus it also gets the most basic ingredient right: the actual story! It highlights the motives, secrets, and plot twistswhats really going on and what its narrative shows. The Annotated Ring Cycle includes newly created graphic-novel style illustrations that visually represent the storyline alongside full color photos of classic artwork by Arthur Rackham, Howard Pyle, Aubrey Beardsley, the 1876 costume and set designs, and much more.
This volume is noteworthy for its inclusion of pen drawings by Mott and other relevant colorful historical illustrations placed throughout.... In this volumes robust introduction, Walter states that his annotations will center Wagners work (i.e., the Ring cycle) and its text as the authoritative sources (instead of drawing on outside commentaries and analyses of the opera). To that end, Walter uses his own English translations of the text of Die Walkure, keeping in mind the alliterative effects and rhyme scheme that were important to Wagners original German (which in Walters book is printed alongside the English). At the end of each act of Die Walkure, Walter gives a one-page review of its events and themes. Walters useful introduction to Wagners masterpiece breaks down the epic operas plot, musical motifs, and poetic structure into digestible pieces of information; ideal for readers with any amount of previous knowledge of the Ring cycle. * Library Journal *
Lively and vivid, Frederick Paul Walters new translation will delight those familiar with the opera, while providing an inviting entry point for those who know the tale only through its role as a foundation work that has influenced everything from Bugs Bunny to The Lord of the Rings. The annotations are often wry and humorous, without in any way ceasing to be informative. The volumes numerous illustrations are a bonus, reminding the reader that this is a work meant to be seen and heard, not merely read. -- Jane Lindskold, New York Times bestselling author of The Firekeeper Saga
This is a striking publication: in four large-format softbacks with vivid full-color covers, it is the work of Frederick Paul Walter, an American scriptwriter, fine-arts broad-caster and translator of several Jules Verne novels. * The Wagner Journal *
[D]ont be afraid: Walter is neither dumbing down nor "making relevant" Wagners complex masterwork. His English translations of Wagners libretti and stage directions are crisp and modern, his annotations and asides as perspicacious as they are breezy and entertaining. His hope is that newcomers and old-timers will each find that these volumes add pleasure and value to their enjoyment of The Ring. * Limelight Magazine *
The main element of Walter's project, the translation of Wagner's poem, succeeds in its principal aim, which is "to provide a clear rendering of Wagner's libretto in modern English" and to give some idea of its alliteration, colloquialism, and humor. This is a tricky undertaking. * Wagner Society of North America *
Walters Ring Cycle series is written for a general audience and, given the publishers cover designs and illustrations by Cliff Mott, will please readers of graphic novels as well. * The Paper - ABQ *
Scriptwriter, fine-arts broadcaster, publicist, translator, and college theater director, Frederick Paul Walter has worked for Lyric Opera of Chicago, Houston Grand Opera, Opera Southwest, and other performance organizations. He has written on Wagner, classical music, and opera for nearly half a century and has published modern translations of science fiction thrillers by French novelist Jules Verne for State University of New York and the U.S. Naval Institute. He lives in Albuquerque, New Mexico.