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Brian Eno's Another Green World

(Paperback)


Publishing Details

Full Title:

Brian Eno's Another Green World

Contributors:

By (Author) Geeta Dayal

ISBN:

9780826427861

Series:
Publisher:

Bloomsbury Publishing PLC

Imprint:

Continuum International Publishing Group Ltd.

Publication Date:

1st April 2008

Country:

United Kingdom

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Popular music

Dewey:

781.64092

Physical Properties

Physical Format:

Paperback

Number of Pages:

136

Dimensions:

Width 121mm, Height 165mm

Weight:

122g

Description

The serene, delicate songs on Another Green World sound practically meditative, but the album itself was an experiment fueled by adrenaline, panic, and pure faith. It was the first Brian Eno album to be composed almost completely in the confines of a recording studio, over a scant few months in the summer of 1975. The album was a proof of concept for Eno's budding ideas of "the studio as musical instrument," and a signpost for a bold new way of thinking about music. In this book, Geeta Dayal unravels Another Green World's abundant mysteries, venturing into its dense thickets of sound. How was an album this cohesive and refined formed in such a seemingly ad hoc way How were electronics and layers of synthetic treatments used to create an album so redolent of the natural world How did a deck of cards figure into all of this Here, through interviews and archival research, she unearths the strange story of how Another Green World formed the link to Eno's future -- foreshadowing his metamorphosis from unlikely glam rocker to sonic painter and producer.

Reviews

The book itself is a masterpiece; its not just a book about the making of a record, its a book about how to make art and how to think about how to make art. -- Amanda Palmer
Enos use of collaboration, chance, and cybernetics to force creativity makes for a fascinating story....Eno himself apparently loved the book, buying copies for friends. This isnt surprising an interest in process has been a constant of his work for four decades. * Pitchfork *
The prose is elegant, the sheer scope of the work impressive, and the meditation on the source of creativity is both well done and light-handed. * Flavorpill *
As a study of Another Green World its impressively holistic, hungry to catalogue every possible point of departure for thinking about the record the best short introduction to Enos work and ethos going. * The Wire *
Its as much a philosophy book as a Behind the Music breakdown, and an invitation to think creatively about creativity. * The Millions *
Dayals unique and fresh take, which also delves into Discreet Music, is a must read for Eno fans and makes a great primer for the uninitiated. * Flagpole *
Dayal's lucid, elegant deconstruction of Brian Eno's most beguiling album is also an inspiring, delightful inquiry into the nature of creativity and constraint. Anyone interested in art making needs to read this. * Ed Park, author of Personal Days *
...the best short introduction to Eno's work and ethos going. * The Wire, February 2010 *
Selected by Flavorwire as one of "10 Great Books about Music by Female Writers" * http://flavorwire.com/features/staff-lists/7967-words-and-music-our-60-favorite-music-books/3/ *
Geeta Dayal opens her book on Another Green World by admitting that she had trouble writing it Finally, she decided to let Brian Enos set of Oblique Strategies cards direct and inspire her work. Its an apt move, as Eno often foregrounds the creative process himself, and it results in a probing and thoughtful book that never falls into formula. Instead, Dayal portrays her subject as a deft artist embracing studio technology and balancing his past accomplishments with all the endless possibilities of the future. -- Stephen M. Deusner * Pitchfork *

Author Bio

Geeta Dayal's writing on music, visual art, and science has appeared in many major publications, including Bookforum, The Wire, The New York Times, The International Herald-Tribune, and The Village Voice. She is currently at work on a second book on the history of electronic music. She lives in Boston.

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