Playing with Signs: A Semiotic Interpretation of Classic Music

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Of all the repertories of Western Art music, none is as explicitly listener-oriented as that of the late eighteenth and early nineteenth centuries. Yet few attempts to analyze the so-called Classic Style have embraced the semiotic implications of this condition. Playing with Signs proposes a listener-oriented theory of Classic instrumental music th

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"This book is extraordinarily rich in suggestion. Ideas are imported from Umberto Eco, Roland Barthes, David Lidov, Edward Said... This is eclecticism at its most erudite and liberal."--Music and Letters