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The Sense of Music

(Paperback)


Publishing Details

Full Title:

The Sense of Music

Contributors:

By (Author) Victor Zuckerkandl

ISBN:

9780691027005

Publisher:

Princeton University Press

Imprint:

Princeton University Press

Publication Date:

29th January 1968

Country:

United States

Classifications

Readership:

Professional and Scholarly

Fiction/Non-fiction:

Non Fiction

Dewey:

781

Physical Properties

Physical Format:

Paperback

Number of Pages:

255

Dimensions:

Width 152mm, Height 229mm

Weight:

425g

Description

This book is addressed to the listener whose enjoyment of music is filled with questions and whose curiosity makes him eager to grasp the sense of music, despite a lack of theoretical training. Unlike the usual listener's guide, which begins with a discussion of the elementary materials of music, this book starts with the elementary experiences of listening.

Reviews

"The teachings of Heinrich Schenker, the Gestalt theory, and the thorough knowledge of the world of sound provide the general framework for this excellent listeners' introduction to the structure and order of music. The author ... begins with no more than the bare bones of the listening experience (the willing, listening ear concentrating on the single, successive, and organized sounds which it can learn to interpret as music) but builds up his case rapidly, logically, and rigorously."--Catharine K. Miller, Library Journal "This is a highly valuable book, one which should be widely read, not only by music lovers whose relation to music consists mainly in listening to records and radio, but even by the not-too-advanced student who has had some theoretical training..."--Ernst Oster, Journal of Music Theory "Anyone who has taught a music course for general college students (as music appreciation, introduction to music, or part of a humanities core) will find this a fascinating and helpful book."--Music Educators Journal

Author Bio

Victor Zuckerkandl (1896-1965), born in Vienna, came to the United States in 1940 and taught at Wellesley College, The New School, and St. John's College in Annapolis, where he developed the new approach to music presented in this book. His publications include Sound and Symbol: Music and the External World Princeton/Bollingen, 1969). A continuation of Sound and Symbol was completed before his death. It has been translated by Norbert Guterman and published as Man the Musician (Bollingen XLIV:2).

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