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Why Marianne Faithfull Matters

(Hardback, Main)


Publishing Details

Full Title:

Why Marianne Faithfull Matters

Contributors:

By (Author) Tanya Pearson

ISBN:

9780571368969

Publisher:

Faber & Faber

Imprint:

Faber & Faber

Publication Date:

19th October 2021

UK Publication Date:

5th August 2021

Edition:

Main

Country:

United Kingdom

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

Musicians, singers, bands and groups
Biography: arts and entertainment
Social and cultural history

Dewey:

782.42166092

Physical Properties

Physical Format:

Hardback

Number of Pages:

192

Dimensions:

Width 129mm, Height 198mm, Spine 13mm

Weight:

268g

Description

First as a doe-eyed ingenue with 'As Tears Go By', then as a gravel-voiced phoenix rising from the ashes of the 1960s with a landmark punk album, Broken English, and finally as a genre-less icon, Marianne Faithfull carved her name into the history of rock 'n' roll to chart a career spanning five decades and multiple detours. In Why Marianne Faithfull Matters, Tanya Pearson crafts a feminist account that explains the musician's absence from the male-dominated history of the British Invasion and champions the eclectic late career that confirmed her redemption.

Putting memoir on equal footing with biographical history, Pearson writes about Faithfull as an avid fan, recovered addict, and queer musician at a crossroads. She's also a professional historian unafraid to break from the expectations of the discipline if a "titty-centred analysis" or astrology can illuminate the work of her subject. Whether exploring Faithfull's rise to celebrity, her drug addiction and fall from grace as a spurned "muse", or her reinvention as a sober, soulful chanteuse subverting all expectations for an aging woman in music, Pearson reaffirms the deep connections between the listeners and creators and reveals, in her own particularly way, why Marianne Faithfull matters.

Author Bio

Tanya Pearson is a public historian and director of the Women of Rock Oral History Project, a collection of digital interviews and written transcripts documenting the lives and careers of women-identified rock musicians. Her work has appeared in Bust Magazine, Memoir Mixtapes, and Oral History Journal.

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