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Why Solange Matters

(Hardback, Main)


Publishing Details

Full Title:

Why Solange Matters

Contributors:

By (Author) Stephanie Phillips

ISBN:

9780571368983

Publisher:

Faber & Faber

Imprint:

Faber & Faber

Publication Date:

2nd July 2021

UK Publication Date:

6th May 2021

Edition:

Main

Country:

United Kingdom

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

Musicians, singers, bands and groups
Feminism and feminist theory
Social discrimination and social justice

Dewey:

782.42164092

Physical Properties

Physical Format:

Hardback

Number of Pages:

256

Dimensions:

Width 129mm, Height 198mm, Spine 18mm

Weight:

339g

Description

Growing up in the shadow of her superstar sister Beyonce, and defying an industry that attempted to bend her to its rigid image of a Black woman, Solange Knowles has become a pivotal musician and artist in her own right.

In Why Solange Matters, Stephanie Phillips chronicles the creative journey of Solange, a beloved voice for the Black Lives Matter generation. A Black feminist punk musician herself, Phillips addresses not only the unpredictable trajectory of Solange's career but also how she and other Black women see themselves through the musician's repertoire. First, she traces Solange's progress through an inflexible industry, charting the artist's development up to 2016, when the release of her third album, A Seat at the Table, redefined her career. Then, with A Seat at the Table and 2019's When I Get Home, Phillips describes how Solange has embraced activism, anger, Black womanhood, and intergenerational trauma to inform her remarkable art.

Why Solange Matters not only cements the subject in the pantheon of world changing twenty-first century musicians; it introduces its writer as an important new voice.

Reviews

'Every once in a while, a musician comes along who so beautifully, so poignantly speaks that Black women remember that we are more than our vulnerability. In Why Solange Matters, Stephanie Phillips gracefully positions Solange amongst that elite cohort. From Houston to London and many places in between, Phillips presses our ear to the street in order to reveal how Solange broke the mold and released us all.' - Shana Redmond, author of EVERYTHING MAN: THE FORM AND FUNCTION OF PAUL ROBESON

Author Bio

Stephanie Philips is a London-based music journalist and musician who writes for The Quietus, She Shreds, Noisey, Bandcamp, and The Wire. She started the Black feminist punk band Big Joanie and played backup for Bikini Kill and Sleater-Kinney. She is also part of the collective behind Decolonise Fest, a festival celebrating punks of colour.

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