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Women and Music in Cross-Cultural Perspective

(Hardback)


Publishing Details

Full Title:

Women and Music in Cross-Cultural Perspective

Contributors:

By (Author) Ellen Koskof

ISBN:

9780313243141

Publisher:

Bloomsbury Publishing PLC

Imprint:

Praeger Publishers Inc

Publication Date:

13th November 1987

Country:

United States

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

Gender studies: women and girls
Cultural studies

Dewey:

780.88042

Physical Properties

Physical Format:

Hardback

Number of Pages:

275

Description

Musical performance, like all aspects of culture, is profoundly influenced by issues of sexuality and gender-related behaviours. This volume offers an introduction to the field of women, music and culture, examining the implications of gender upon music performance. The presentation focuses on women from many different countries, societies and historical periods, from the professional, urban musician to the village preserver of traditional music and culture, from the young woman of the nineteenth-century hymnody tradition of the United States to the female tayu or "chanter" in the male-dominated Gidayu narrative tradition of Japan.

Reviews

. . . Musical excerpts are quoted and some musical terminology is employed, yet the essays do not become so technical as to burden the non-musicological reader. Those essays which are more anthropological in outlook are similarly accessible to the non-anthropologist. Thus, these essays will appeal to a substantial audience of researchers in ethno-musicology, anthropology, and women's studies. Koskoff regards her work as an "introduction to the field of women, music, and culture," and, as such, it is an admirable contribution. The strength of the individual essays has combined with Koskoff's organizational and analytical clarity to produce a work of fine scholarship.-Fontes Artis Musicae 36
." . . Musical excerpts are quoted and some musical terminology is employed, yet the essays do not become so technical as to burden the non-musicological reader. Those essays which are more anthropological in outlook are similarly accessible to the non-anthropologist. Thus, these essays will appeal to a substantial audience of researchers in ethno-musicology, anthropology, and women's studies. Koskoff regards her work as an "introduction to the field of women, music, and culture," and, as such, it is an admirable contribution. The strength of the individual essays has combined with Koskoff's organizational and analytical clarity to produce a work of fine scholarship."-Fontes Artis Musicae 36

Author Bio

ELLEN KOSKOFF is Assistant Professor of Musicology at the Eastman School of Music.

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