Compact Cinematics: The Moving Image in the Age of Bit-Sized Media

(Paperback)

Available Formats

Publishing Details

Classifications

Physical Properties

Description

Compact Cinematics challenges the dominant understanding of cinema to focus on the various compact, short, miniature, pocket-sized forms of cinematics that have existed from even before its standardization in theatrical form, and in recent years have multiplied and proliferated, taking up an increasingly important part of our everyday multimedia environment. Short films or micro-narratives, cinematic pieces or units re-assembled into image archives and looping themes, challenge the concepts that have traditionally been used to understand cinematic experience, like linear causality, sequentiality, and closure, and call attention to complex and modular forms of cinematic expression and perception. Such forms, in turn, seem to meet the requirements of digital convergence, which has pushed the development of more compact and mobile hardware for the display and use of audiovisual content on laptops, smartphones, and tablets. Meanwhile, contemporary economies of digital content acquisition, filing, and sharing equally require the shrinking of cinematic content for it to be recorded, played, projected, distributed, and installed with ease and speed. In this process, cinematic experience is shortened and condensed as well, so as to fit the late-capitalist attention economy. The essays in this volume ask what this changed technical, socio-economic and political situation entails for the aesthetics and experience of contemporary cinematics, and call attention to different concepts, theories and tools at our disposal to analyze these changes.

Reviews

[T]he book features excellent articles of interest to scholars working on specific aspects of screen and visual cultures. * Mobile Media & Communication *
[T]he books attention to the generally neglected ecology of short-form work that is so prevalent today, along with its insistence on a broad historical context that refuses to neglect the past as we examine the present and look to the future, make it vital; () the attempts to name and frame a shifting context underscore how complex the changes are. * LA Review of Books *
Compact Cinematics is a rich well of provocative thought on both media and its role in our lives, historically and presently ... A stimulating text and, read in whole, it will not fail to ignite passion for further research in nearly everyone who reads it ... Those interested in the topic at every level would benefit from this text. * Alphaville: Journal of Film and Screen Media *
A necessary read for media and moving image scholars and practitioners. -- Donatella Valente * Dandelion *
Hesselberth and Poulaki have assembled some of the most exciting thinkers in the field, with essays both from emerging and established voices, to rethink the concepts of compactness, fragmentation and the short in visual culture. The result is an extremely rich collection, spanning film, television and digital media studies, and one that offers ways new ways to think through the compression of twenty-first century media. * Timothy Barker, Senior Lecturer in Digital Media, University of Glasgow, Scotland *
Compact Cinematics is a bold collection of essays by leading film and media theorists who depart from the notion of object-oriented study, refocusing debate around processes, habits and textures. The range of approaches delivers a fittingly multi-angled view of the current mediascape in which intensity resides in the miniature and the fragment, images are both commanding and adhesive, and human attention is a premium capture. * Janet Harbord, Professor of Film Studies, Queen Mary University of London, UK *
Compact Cinematics: The Moving Image in the Age of Bit-Sized Media is a stimulating text and, read in whole, it will not fail to ignite passion for further research in nearly everyone who reads it. The texts own exploration of what compact cinema entails, expounded on in seven of the chapters, is enlightening to consider and expands our view of contemporary media. * Alphaville *

Author Bio

Pepita Hesselberth is assistant professor in cultural theory, film, and digital media at the Department of Film and Literary Studies, Leiden University, the Netherlands. She is the author of Cinematic Chronotopes (Bloomsbury, 2014), and the guest editor of Empedocles: Journal of Philosophy of Communication, on Short Film Experience (with Carlos Roos; 2015). Currently she is working on her project on Disconnectivity in the Digital Age, for which she received a grant from the Danish Council of Independent Research, and is appointed as a research fellow at the University of Copenhagen. Maria Poulaki is Lecturer in Film and Digital Media Arts at University of Surrey, UK. Placing contemporary cinematics within the realm of complexity theory and neuroscience debates she has contributed to Screen, New Review of Film and Television Studies, Film-Philosophy, Cinema & Cie, Projections, and a number of edited volumes.