Devouring Whirlwind: Terror and Transcendence in the Cinema of Cruelty
By (Author) Will H Rockett
Bloomsbury Publishing PLC
Praeger Publishers Inc
17th November 1988
United States
Tertiary Education
Non Fiction
791.43090916
Hardback
221
As the popularity of the genre increases and special effects are pushed to greater extremes of terror and cruelty, more and more people have begun to wonder, what is the attraction of horror films Do they have any socially redeeming features Rockett offers some surprising and provocative answers to these questions in his analysis of the cinema of cruelty. First commenting on our fascination with experiences that transcend the world of ordinary reality, he looks at film as a means of expressing the dark side of human nature. Next, he examines the essential ingredients that go into the making of a horror film, the variations that are found within the genre, and the links between the best horror cinema and Artaud's Theatre of Cruelty. Echoing Artaud, Rockett argues that human beings are attracted to horror in films because of an unconscious craving for a reality in which the demonic supernatural acts as a living whirlwind, devouring the darkness and bringing viewers closer to the transcendence they are actually seeking. The final chapter shows how the finest works in the horror genre achieve this underlying aim. He discusses filmmakers such as Roman Polanski, who have been able to provide the realism and artistic quality that contemporary audiences demand while preserving the ambiguity and terror necessary to experience the power of transcendent force. Rockett's skillful and imaginative exploration of the subject will be appreciated by scholars and general readers concerned with popular culture, film, literature, drama, and contemporary social issues.
Devouring the Whirlwind asks the question: what is the continuing attraction of the horror film The author examines the horror genre in some detail. The 221 page book tries to reach an audience of scholars in popular culture, film, literature, drama, and contemporary social criticism.-CAST/Communication Booknews
"Devouring the Whirlwind asks the question: what is the continuing attraction of the horror film The author examines the horror genre in some detail. The 221 page book tries to reach an audience of scholars in popular culture, film, literature, drama, and contemporary social criticism."-CAST/Communication Booknews
WILL H. ROCKETT is Dean of Faculty for Arts and Humanities, State University of New York at Fredonia. He worked for a number of years as a writer and director for the Canadian Broadcasting Corporation, which produced a dozen of his radio plays. Two volumes of his verse have been published by Fiddlehead Poetry Books, and he has written for a variety of magazines, newspapers, and scholarly journals.