Fear Eats the Soul (Angst Essen Seele Auf)
By (Author) Laura Cottingham
Bloomsbury Publishing PLC
BFI Publishing
26th November 2020
2nd edition
United Kingdom
Professional and Scholarly
Non Fiction
Film history, theory or criticism
791.4372
Paperback
100
Width 135mm, Height 190mm
164g
In Rainer Werner Fassbinders Fear Eats the Soul (Angst Essen Seele Auf, 1974) Emma (Brigitte Mira), a working-class widow and former member of the Nazi party, marries Ali (El Hedi ben Salem), a much younger Moroccan migrant worker. Set in Munich during the 1970s, the film melds the conventions of melodrama with a radical sensibility to present a portrait of racism and everyday hypocrisy in post-war Germany. It is a film about the way conventional society detests anything and anybody unfamiliar - but also a film about the hopes and limits of love. Intricately directed, beautifully performed, and designed to show Munich life in all its shabby kitschiness, Fear Eats the Soul may be Fassbinders finest film. Laura Cottingham celebrates Fassbinders achievement, placing Fear Eats the Soul in relation to his extraordinarily prolific career in theatre, film and television. Her analysis pulls back the thin curtain that separated his work from his tumultuous life. She also explores the directors debt to the lush Hollywood melodramas made by fellow German Douglas Sirk, especially All That Heaven Allows (1955). In a detailed scene-by-scene analysis, Cottingham shows how Fassbinder managed to combine beauty and tenderness with fierce political critique.
Laura Cottingham is an American art critic, curator and visual artist, based in New York City, USA.