Contemporary Cinema of Latin America: Ten Key Films
By (Author) Deborah Shaw
Bloomsbury Publishing PLC
Continuum International Publishing Group Ltd.
1st April 2003
United Kingdom
General
Non Fiction
791.43098
Paperback
216
350g
This book focuses on a selection of internationally known Latin American films. The chapters are organized around national categories, grounding the readings not only in the context of social and political conditions, but also in those of each national film industry. It is a very useful text for students of the region's cultural output, as well as for students of film studies who wish to learn more about the innovative and often controversial films discussed.
Title mention in the British Bulletin of Publications, October 2005 - October 2006
"This book is multifaceted...[T]he films in this study are important not only in national and transnational terms, but also to domestic and international audiences who may find their subject matter of interest and relevant to the human condition. This book is recommended to students of theater and art as well as to the discerning moviegoer." -The Colonial Latin American Historical Review * Blurb from reviewer *
"This clearly organized and readable volume provides critical-analytical readings of ten important Latin American feature films...Frequently and productively drawing on feminist perspectives, Shaw is an astute critics who excels at providing socioeconomic, historical, and political contexts in order to better understand the films under consideration." -Choice * Blurb from reviewer *
Deborah Shaw is Professor of Film and Screen Studies at the University of Portsmouth, UK. She is the founding co-editor of the journal Transnational Cinemas (Now Transnational Screens), and her books include Contemporary Latin American Cinema: Ten Key Films (2003), The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro Gonzlez Irritu, and Alfonso Cuarn (2013), The Transnational Fantasies of Guillermo del Toro (co-edited with Ann Davies and Dolores Tierney, 2014), and Latin American Women Filmmakers: Production, Politics, Poetics (co-edited with Deborah Martin 2017).