Engaging Film: Geographies of Mobility and Identity
By (Author) Tim Cresswell
Edited by Deborah Dixon
Contributions by Paul Beard
Contributions by Ann Brigham
Contributions by David B. Clarke
Contributions by Mike Crang
Contributions by Chris Curtis
Contributions by Carl T. Dahlman
Contributions by Marcus A. Doel
Contributions by Naomi Dunn
Bloomsbury Publishing PLC
Rowman & Littlefield Publishers
11th March 2002
United States
Tertiary Education
Non Fiction
Human geography
Social theory
Cultural studies
791.4301
Paperback
368
Width 152mm, Height 226mm, Spine 19mm
544g
Engaging Film is a creative, interdisciplinary volume that explores the engagements among film, space, and identity and features a section on the use of films in the classroom as a critical pedagogical tool. Focusing on anti-essentialist themes in films and film production, this book examines how social and spatial identities are produced (or dissolved) in films and how mobility is used to create different experiences of time and space. Visit our website for sample chapters!
This is a remarkable book. It is a very readable volume of essays that substantiates the importance of film study in geography and geographic study of film. * Annals of the Association of American Geographers *
Singularly smart, these essays excavate the dense spatialitiesboth fixed and destabilizedat work in the moving image. Cresswell and Dixon have compiled what is surely a landmark volume in cultural geography. -- John Paul Jones III, University of Kentucky
Tim Cresswell and Deborah Dixon both teach in the Institute of Geography and Earth Sciences at the University of Wales, Aberystwyth.