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Film, In Theory: The BFI Education Department and Film Culture

(Hardback)


Publishing Details

Full Title:

Film, In Theory: The BFI Education Department and Film Culture

Contributors:

By (Author) Colm McAuliffe

ISBN:

9781839026331

Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Academic

Publication Date:

13th November 2025

Country:

United Kingdom

Classifications

Readership:

Tertiary Education

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Social and cultural history
History of education
Philosophy: aesthetics

Physical Properties

Physical Format:

Hardback

Number of Pages:

208

Dimensions:

Width 156mm, Height 234mm

Description

Film, in Theory tells the story of Paddy Whannel and Peter Wollen's revolutionary work at the BFIs Education Department and how this led to the establishment of film studies, theory and education in Britain during the 1960s and 1970s. Colm McAuliffe explores how Whannel and Wollen worked together to re-fashion the BFI as a modern and progressive laboratory of ideas, hosting experimental seminars, revamping BFI Summer Schools, and launching the Cinema One series (co-edited by Whannel and Penelope Houston, editor of Sight & Sound magazine). Through extensive archival research and interviews with key figures, McAuliffe explores how the department became "a crucible for the future of film theory." He recounts how they transformed Screen from a teachers' journal into a theoretical publication, where a form of feminist film critique, led by Claire Johnston and Laura Mulvey, emerged. Johnston, Mulvey, and other feminist theorists were integral to the formation of a women's counter-cinema and, alongside Whannel and Wollen, sparked not just the birth of film studies, but an intellectual revolution. This book traces contemporary critiques of normativityregarding race, gender, and sexualityback to the heated debates that marked the opening up of film studies during the intellectually vibrant Sixties.

Author Bio

Colm McAuliffe is a film curator and writer based in the UK. He is currently a researcher on the award-winning Make Film History project which has opened up film archives from the BBC, BFI and many more for creative reuse by young and emerging filmmakers and artists across the UK and Ireland. His writing has appeared in The Guardian, Sight & Sound, and New Statesman.

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