Hollywood and the Movies of the Fifties: The Collapse of the Studio System, the Thrill of Cinerama, and the Invasion of the Ultimate Body Snatcher--Television
By (Author) Foster Hirsch
Alfred A. Knopf
Alfred A. Knopf
14th November 2023
6th October 2023
United States
General
Non Fiction
History of the Americas
Filmmaking and production: technical and background skills
384.83097949
Hardback
672
Width 169mm, Height 243mm, Spine 41mm
1021g
A fascinating look at Hollywood's most turbulent decade and the demise of the studio system-set against the boom of the post-World War II years, the Cold War, and the atomic age-and the movies that reflected the seismic shifts Hollywood in the 1950s was a period when the film industry both set conventions and broke norms and traditions-from Cinerama, CinemaScope, and VistaVision to the epic film and lavish musical. It was a decade that saw the rise of the anti-hero; the smoldering, the hidden, and the unspoken; teenagers gone wild in the streets; the sacred and the profane; the revolution of the Method; the socially conscious; the implosion of the studios; the end of the production code; and the invasion of the ultimate body snatcher- the "small screen" television. Here is Eisenhower's America-seemingly complacent, conformity-ridden revealed in Vincente Minnelli's Father of the Bride, Walt Disney's Cinderella, and Brigadoon, among others. And here is its darkening, resonant landscape, beset by conflict, discontent, and anxiety (The Man Who Knew Too Much, The Asphalt Jungle, A Place in the Sun, Touch of Evil, It Came From Outer Space) . . . an America on the verge of cultural, political and sexual revolt, busting up and breaking out (East of Eden, From Here to Eternity, On the Waterfront, Sweet Smell of Success, The Wild Ones, A Streetcar Named Desire, and Jailhouse Rock). An important, riveting look at our nation at its peak as a world power and at the political, cultural, sexual upheavals it endured, reflected and explored in the quintessential American art form.
FOSTER HIRSCH is a professor of film at Brooklyn College and the author of sixteen books on film and theater, including Otto Preminger- The Man Who Would Be King, The Dark Side of the Screen- Film Noir, and A Method to Their Madness- The History of the Actors Studio. He lives in New York City.