Judith Butler and Film: The Good Egalitarian, the Bad Feminist and the Ugly Other
By (Author) Temmuz Sreyya Grbz
Bloomsbury Publishing PLC
Bloomsbury Academic
19th March 2026
United Kingdom
Tertiary Education
Non Fiction
Philosophy: aesthetics
Gender studies, gender groups
Feminism and feminist theory
Hardback
240
Width 138mm, Height 216mm
In a period of expanding representation for women and LGBTQI+ people in cinema, television and other screen media, Judith Butlers groundbreaking writing on gender and identity is more relevant than ever. This is the first book to focus on the ways in which film has shaped the influential philosopher's thought.
Since the 1980s, Butlers theories - particularly on 'gender performativity' - have been widely used to analyse representations of gender on screen. And equally, Butler has turned to films that spotlight drag performances and transgender people to re-examine the materiality of gender identity. In Judith Butler and Film, author Temmuz Sreyya Grbz explains how Butler cites growing up in the movie theatres their family owned as formational to their understandings of gender and sexuality, traces the influence of films such as Paris is Burning (1990) and Boys Dont Cry (1990) on their work, and also considers the documentaries Butler took part in. Moving beyond established film theory, Grbz draws from recent trans film theory, and also includes a final chapter on the idea of cinema as a form of embodiment - connecting this phenomenological approach with Butler's interest in experimental, collective and avant-garde filmmaking.
Temmuz Sreyya Grbz is a filmmaker and film scholar based in Dublin. They specialize in film theory, global media studies, documentary and experimental film, and currently teach across University of Galway and University College Dublin. They are recipient of the Irish Research Council Postdoctoral Fellowship (20222024) and the Agility Award from the Arts Council of Ireland (2023), supporting their film practice and academic research.