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Kino: A History of the Russian and Soviet Film, With a New Postscript and a Filmography Brought up to the Present

(Paperback)


Publishing Details

Full Title:

Kino: A History of the Russian and Soviet Film, With a New Postscript and a Filmography Brought up to the Present

Contributors:

By (Author) Jay Leyda

ISBN:

9780691003467

Publisher:

Princeton University Press

Imprint:

Princeton University Press

Publication Date:

1st November 1983

Country:

United States

Classifications

Readership:

Professional and Scholarly

Fiction/Non-fiction:

Non Fiction

Dewey:

791.430947

Physical Properties

Physical Format:

Paperback

Number of Pages:

584

Dimensions:

Width 152mm, Height 229mm

Weight:

822g

Description

This history of the turbulent destiny of Kino ("film" in Russian) documents the artistic development of the Russian and Soviet cinema and traces its growth from 1896 to the death of Sergei Eisenstein in 1948. The new Postscript surveys the directions taken by Soviet cinema since the end of World War II. Beginning with the Lumiere filming of the coronation of Tsar Nicholas II, Jay Leyda links Russia's pre-Revolutionary past with its Communist present through the observation of a major cultural phenomenon: the evolution of the Soviet film as an artistic and political instrument. The book contains 150 drawings and photographs and five appendices, including a list of selected Russian and Soviet films from 1907 to the present.

Reviews

"Certainly the most important appraisal of Russian film ever made in book form."--Theatre Arts "Exceedingly interesting, authoritative and well-documented."--The Times Literary Supplement "The only work to give such a full and fluent survey of that great area of film production which has been both a stimulus and an enigma to the rest of the world."--The New York Times Book Review

Author Bio

Jay Leyda (1910-1988) was a leading film historian and filmmaker who studied directing with Sergei Eisenstein at the Moscow State Film School. He was a correspondent for "Theatre Arts Monthly" and "New Theatre" and an art critic for the "Moscow News". He is the translator of Mussorgsky's correspondence and editor of Eisenstein's "Film Essays and a Lecture" (Princeton) and "Film Form" and "The Film Sense". With Zina Voynow, he wrote and compiled "Eisenstein at Work".

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