Night of the Living Dead
By (Author) Ben Hervey
Bloomsbury Publishing PLC
BFI Publishing
26th November 2020
2nd edition
United Kingdom
Professional and Scholarly
Non Fiction
Horror and supernatural fiction
791.4372
Paperback
128
Width 135mm, Height 190mm
204g
George A. Romeros Night of the Living Dead is a cult classic that has resonated with audiences and independent filmmakers ever since its release in 1968. It redefined horror cinema and launched the modern zombie genre that continues with films and series like 28 Days Later, Shaun of the Dead and The Walking Dead. Ben Herveys illuminating study of the movie traces Nights influences, from Powell and Pressburger to fifties horror comics, and provides the first history of its reception. Hervey argues that the film broke cultural barriers, fted at New York's Museum of Modern Art while it was still packing 42nd Street grindhouses. Scene-by-scene analysis meshes with detailed historical contexts, showing why Night was a new kind of horror film: the expression of a generation who didn't want their world to return to normal.
Ben Hervey makes an excellent fist of uniting all the tales of George A. Romero's genre-defining debut. * Empire *
Within its short confine of pages ... manages to give the film's production history, narrative, reception, influences, and moral and political implications in an easy, flowing style free of jargon, and, though brief, is an essential newcomer to any horror fan or Romero buff's library. -- D.K. Holm * The Vancouver Herald *
Night of the Living Dead is another worthy additon to the bookshelf. * Filmwerk *
This particular volume of the 'BFI Film Classics' series is illuminating and educational. Anyone with an interest in horror films generally will find it fascinating and students of social history will find the analyses contained stimulating and informative...Highly recommended. -- Neale Monks * Crowsnest *
Herveys text is worth reading by any fan [and] any cinephile should have it on their shelves. * Sublime Horror *
Ben Hervey has lectured in Film Studies and Anglo-American Literature at the Universities of Oxford and Reading, UK. His criticism has appeared in publications such as Sight & Sound. He now works as a screenwriter in Los Angeles.