Rushmore
By (Author) Kristi Irene McKim
Bloomsbury Publishing PLC
BFI Publishing
30th November 2023
United Kingdom
Professional and Scholarly
Non Fiction
Film guides and reviews
791.4372
Paperback
120
Width 135mm, Height 190mm
Earning critical acclaim and commercial success upon its 1998 release, Rushmorethe sophomore film of American auteur Wes Andersonquickly gained the status of a cult classic. A melancholic coming-of-age story wrapped in comedy drama, Rushmore focuses on the efforts of Max Fischer (Jason Schwartzman)a brazen and precocious fifteen-year-oldto find his way. Restless, energetic, struggling, and overcompensating for his insecurities, Max pursues a dizzying range of possible futures, leading him into the orbit of local steel magnate Herman Blume (Bill Murray), elementary school teacher Rosemary Cross (Olivia Williams), and a host of cooperative schoolmates who help him to stage lavish film-derivative plays. Kristi McKims compelling study of the film argues that despite the films titular call for haste and excess (rush/more), it challenges a drive toward perfectionism and celebrates the quiet connections that defy such passion and speed. After establishing Rushmores history and reception, McKim closely reads Rushmores energetic musical montages relative to slower moments that introduce tenderness and ambiguity, in a form subtler than Maxs desire-built drive or genre-based plays. Her analysis offers an urgent corrective to what might be perceived as an endearing portrait of privilege that perpetuates a status quo power. Drawing out Rushmores subtleties that soften, temper, ease, expand, and equalize the films zeal, she reads the film with a generosity learned from the film itself.
Kristi Irene McKim is Professor and Chair of Film and Media Studies and English at Hendrix College, USA. Her books include Love in the Time of Cinema (2011) and Cinema as Weather: Stylistic Screens and Atmospheric Change (2013). She has published in journals such as Camera Obscura, Studies in French Cinema, Senses of Cinema, Bennington Review, New England Review, Bright Lights Film Review, Film International, and Film-Philosophy. She is also the online editor for Film Matters Magazine and co-editor of The Cine-Files special edition on "Teaching Film".