Sexography: Sex Work in Documentary

(Paperback)

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Description

The turn of the twenty-first century has witnessed an eruption of non-fiction films on sex work. The first book to examine a cross-section of this diverse and transnational body of work, Sexography confronts the ethical questions raised by ethnographic documentary and interviews with sexually marginalized subjects. Nicholas de Villiers offers a reading of cinema as a technology of truth and argues that carnal and cultural knowledge are inextricably entangled in ethnographic sex work documentaries.

Reviews

"Nicholas de Villierss deeply felt and sharply focused transcultural purview of documentary representations of sex work is all the more urgent at a historical moment that threatens to close down not only desire and difference but also documentarys historical aspirations toward democracy and social justice. The critical questions he raises extend far beyond the narrow bounds of the selected films as he behooves us to join him in trying to answer them."Thomas Waugh, Concordia University

"Unlike former work focusing on prostitutes as characters in film, Nicholas de Villiers launches an entirely new discourse around the motivations, inventions, and methods of sex worker cinema in this groundbreaking book. His integration of perspectives of both non-sex-worker filmmakers and films made by sex workers is absolutely crucial. In a book that's been a long time coming, de Villiers embraces the 'whores eye view' of experiential makers and presents an inquiry that is central to investigations of politics, political art, and empowerment."Carol Leigh, producer of Outlaw Poverty, Not Prostitutes

"de Villiers has sought to be, as he says, a queer ally to sex workers meaning that he seeks to assist in the process of destigmatization and to problematize the discourse of sex worker as victim. In a world that is dominated by anti-sex work bias, such an analysis is sorely needed."Los Angeles Review of Books

Author Bio

Nicholas de Villiers is associate professor of English and film at the University of North Florida. He is the author of Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol (Minnesota, 2012).