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The Australian Film Revival: 1970s, 1980s, and Beyond

(Paperback)

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Publishing Details

Full Title:

The Australian Film Revival: 1970s, 1980s, and Beyond

Contributors:

By (Author) Susan Barber

ISBN:

9781501389993

Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Academic USA

Publication Date:

22nd August 2024

Country:

United States

Classifications

Readership:

Professional and Scholarly

Fiction/Non-fiction:

Non Fiction

Dewey:

791.430994

Physical Properties

Physical Format:

Paperback

Number of Pages:

280

Dimensions:

Width 152mm, Height 229mm

Description

The Australian Film Revival: 70s, 80s, and Beyond explores the matrix of forces artistic, cultural, economic, political, governmental, and ideological that gave rise to, shaped, and sustained this remarkable film movement. This engaging new study brings fresh perspectives, insights, and innovative approaches to a variety of films from a diversity of filmmakers. Areas of focus include the complex and contentious subjects of masculinity, femininity and feminism, the maternal, as well as the Indigenous road film and the protean Australian gothic. During the formative years of the revival, Australian films seemed to emerge from out of the blue in terms of global film history, with many features including Picnic at Hanging Rock (l975), Caddie (l976), The Last Wave (l977), The Chant of Jimmie Blacksmith (l978), and My Brilliant Career (l979) receiving international distribution and enthusiastic critical acclaim with strong box office results. By the time the film revival was in full swing, not only did Australian audiences flock to theaters to see homegrown films, but the quantity of Australian films on overseas screens was so high that ardent critics declared this outpouring an Australian New Wave. The eyes of the world had turned to a compelling and largely unknown culture.

Reviews

Australian film narratives of sacrifice, survival, colonial violence, toxic masculinity, abject mothers, and more are explored through the critical and analytical lens of a film studies expert with a wealth of experience in teaching Australian cinema. Barbers investigation is timely and important, and grounded in an astounding amount of scholarship. * Kathryn Keeble, Literature and Creative Writing Lecturer and Arts Reviewer, Deakin University, Australia *

Author Bio

Susan Barber is an Emeritus Professor in the Film, Television, and Media Studies Department in the School of Film and Television, Loyola Marymount University, USA, and has taught film history at LMU for over 30 years. She also taught at the University of Southern California and the University of California, Irvine, USA. She received her Masters and Doctorate degrees from the School of Cinematic Arts, University of Southern California, USA.

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