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The Film Cheat: Screen Artifice and Viewing Pleasure

(Paperback)

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Publishing Details

Full Title:

The Film Cheat: Screen Artifice and Viewing Pleasure

Contributors:
ISBN:

9781501364983

Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Academic USA

Publication Date:

15th October 2020

Country:

United States

Classifications

Readership:

Tertiary Education

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Acting techniques
Media studies

Dewey:

791.45652

Physical Properties

Physical Format:

Paperback

Number of Pages:

384

Dimensions:

Width 152mm, Height 229mm

Weight:

652g

Description

Murray Pomerance, venerated film scholar, is the first to take on the 'cheat' in film, where 'cheating' constitutes a collection of production, performance, and structuring maneuvers intended to foster the impression of a screen reality that does not exist as presented. This usually calls for a suspension of disbelief in the viewer, but that rests on the assumption that disbelief is problematic for viewership, and that we must find some way to suspend or disconnect it in order to allow for the entertainment of the fiction in its own terms. The Film Cheat explores forty-five aspects of the 'cheat,' analyzing classic films such as Singin in the Rain and Chinatown, to more contemporary films like The Revenant and Baby Driver, with Pomerance engaging his encyclopedic knowledge of film history to point out numerous instances of suspensions of disbeliefs. Whether or not Gene Kelly is actually dancin' in the rain, or if Elliott is really flying on his bicycle carrying E.T., these cheats are what make movie magic. Elegantly weaving the narrative for one to dip into at random or to read from cover to cover, Pomerance turns things upside down so that the audience actually finds pleasure in the cheat itself, pleasure in the disbelief. To see the elegant fake, the supremely accomplished simulacrum is a pleasure in its own right, indeed one of the fundamental pleasures of cinema.

Reviews

More Sprezzatura theorizing from one of the most exciting and iconoclastic film scholars writing today. A thoroughly original focus on a topic that, previously undiscussed, is revealed as incredibly significant to the realism debate in media studies more generally, once Pomerance identifies it. * Richard Barton Palmer, Calhoun Lemon Professor Emeritus of English, Clemson University, USA *

Author Bio

Murray Pomerance is an independent scholar living in Toronto, Canada. He is the editor of the Techniques of the Moving Image series and the Horizons of Cinema series, and co-editor, with Lester D. Friedman and Adrienne L. McLean respectively, of the Screen Decades and Star Decades series. Pomerance has written, edited and co-edited several books, including Virtuoso: Film Performance and the Actors Magic (2019), A Dream of Hitchcock (2019), Cinema, If You Please (2018), Moment of Action (2016), Alfred Hitchcock's America (2013), The Horse who Drank the Sky: Film Experience beyond Narrative and Theory (2008), and two BFI Classics on Marnie (2014) and The Man Who Knew Too Much (2016).

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