Watching

(, Main)

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In this collections of essays, Thomas Sutcliffe looks past the dazzling surface of the movies - the seductive distractions of performance and narrative and theme - and at the ways in which movies work their magic, from Hollywood blockbusters to European arthouse films.In Watching, award-winning journalist Thomas Sutcliffe considers what often gets forgotten in theoretical approaches to cinema - that it is an emotional experience before it is a cerebral one, that subconscious emotions can colour our conscious judgments. Having read this book, you'll never watch films the same way again.

Author Bio

Tom Sutcliffe's musical career started as a boy chorister at Chichester Cathedral. After studying at Oxford University, he was a professional countertenor for six years, making his opera d but in The Coronation of Poppea at Darmstadt in 1970, having worked as a soloist with Nikolaus Harnoncourt. He then edited the magazine Music and Musicians, and worked for the Guardian for 23 years - most notably as opera critic.A regular broadcaster on radio and television, he has also written about opera in Vogue magazine and was British correspondent of Opera News, New York, as well as contributing to Opera Now and other specialist music journals. In 1998 he was dramaturg on a new production of The Turn of the Screw at the Monnaie in Brussels. He became opera critic of the Evening Standard in 1996.