Alfred Hitchcock All the Films: The Story Behind Every Movie, Episode, and Short
By (Author) Bernard Benoliel
By (author) Gilles Esposito
By (author) Jean-Franois Rauger
By (author) Murielle Joudet
Running Press,U.S.
Running Press Adult
29th October 2024
14th November 2024
United States
General
Non Fiction
Film, television, radio genres: Science fiction, fantasy and horror
Reference works
791.430233092
Hardback
648
Width 276mm, Height 214mm, Spine 54mm
2620g
Organized chronologically and covering every short film, television episode, and classic film that the "Master of Suspense" directed over the course of his illustrious, 60-year career, Alfred Hitchcock All the Films draws upon years of research to tell the behind the scenes stories of how each project was conceived, cast, and produced, down to the creation of the costumes, the search for perfect locations, and of course, the direction of some of cinema's most memorable scenes.
Spanning more than six decades, and including stories of work with longtime collaborators like costume designer Edith Head, title designer Saul Bass, and composer Bernard Herrmann, this book details the creative processes that resulted in numerous classic films like Vertigo,The Birds,Psycho, Rear Window, North By Northwest,andTo Catch a Thief (to name a few). The director's classic TV series are also covered extensively along with original release dates, lesser-known short films, box office totals, surreptitious casting details, and other insider scoops that will keep fans and students alike turning pages. Featuring hundreds of vivid photographs that celebrate one of cinema's most iconic artists, Alfred Hitchcock All the Films is a visual feast that's perfect for the movie fan in your life.Bernard Benoliel is the director of art and culture at the Cinematheque Fran aise. He is the co-author of books devoted to the work of Anthony Mann, Clint Eastwood, and Bruce Lee.
Gilles Esposito is a journalist who writes for magazines including Mad Movies and So Film. He has also contributed to collections devoted to the work of Samuel Fuller, Leo McCarey, John Ford, and Universal Pictures. Murielle Joudet is a film critic for Le Monde, as well as for TV and radio. She has written essays on Isabelle Huppert and Gena Rowlands. Jean-Fran ois Rauger is the director of programming at the Cinematheque Fran aise. He is a journalist at Le Monde, and the author of The Domestic Eye: Hitchcock and Television.