The Book of Horror: The Anatomy of Fear in Film, updated edition

(Hardback)

---

Publishing Details

Classifications

Physical Properties

Description

"... the definitive guide to what properly messes us up."
SFX Magazine

"Glasby anatomises horror's scare tactics with keen, lucid clarity across 34 carefully selected main films - classic and pleasingly obscure. 4 Stars."
Total Film

The Book of Horrorintroduces the scariest movies ever made and examines what makes them so frightening.

Horror movies have never been more critically or commercially successful, but there's only one metric that matters: are they scary Back in the silent era, viewers thrilled atFrankenstein and Dracula.Today, the monsters may have changed, but the instinct remains the same: to seek out the unspeakable, ride the adrenaline rush and play out our fears in the safety of the cinema.

The Book of Horror focuses on the most frightening films of the post-war era -from Psycho(1960) to Longlegs (2024) - examining exactlyhow they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see.

Including references to more than100 classic and contemporary horror filmsfrom around the globe,and striking illustrations from Barney Bodoano, this isa rich and compelling guide to the scariest films ever made.The films:
Psycho (1960), The Innocents (1961), The Haunting (1963), Don't Look Now (1973),The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019), Host (2020),Talk to Me (2022), Longlegs (2024)

Reviews

'The Book of Horror: The Anatomy of Fear in Filmis a feast for the eyes as well as the mind and bound to delight any horror fan. Heartily recommended!' * Horrified *

...this is the definitive guide to what properly messes us up.

* SFX Magazine *
Glasby anatomises horror's scare tactics with keen, lucid clarity across 34 carefully selected main films - classic and pleasingly obscure.
4 Stars. * Total Film *
'...thoughtful, engagingly written, moodily illustrated compendium of terrors...' * Through The Trees *

'Film journalistMatt Glasby is the person you need to speak to if you want to know about abject terror. He lives and breathes horror and his latest book is testament to this.'

* Shortlist *
"An ideal gift for any fan of horror in your life." -- Darren Paltrowitz * Jewish Journal *
"This is an expertly curated examination of the scariest movies ever made, and how they work...a fascinating analysis of what scares us and why. Its beautifully illustrated too, by Barney Bodoano. This gorgeous hardback is a must-have for any horror fans reference collection." * KendallReviews.com *
"...deep diving and [the] clear, useful format givesThe Book of Horroran air of surgical precision that, in my mind, puts it head and shoulders above most synopsis and review collections." * horrorbuzz.com *
'Whether its by your television or on a shelf next to your Stephen King collection, The Book of Horror: The Anatomy of Fear in Film is sure to be an indispensable reference for anyone who loves to be scared.' * gobeyondtheveil.co.uk *

Author Bio

Matt Glasby is an international film journalist, author and member of the London Critics' Circle. His work appears inGQ, Total FilmandSFX among other publications, and he theassociate editor of Vera magazine. He has written two books:Britpop Cinema: From Trainspotting ToThis Is England (Intellect, 2019) and A-Z Great Film Directors (Cassell, 2015).