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Forest of Pressure: Ogawa Shinsuke and Postwar Japanese Documentary

(Paperback)


Publishing Details

Full Title:

Forest of Pressure: Ogawa Shinsuke and Postwar Japanese Documentary

Contributors:

By (Author) Abe Mark Nornes

ISBN:

9780816649082

Publisher:

University of Minnesota Press

Imprint:

University of Minnesota Press

Publication Date:

26th April 2007

Country:

United States

Classifications

Readership:

Tertiary Education

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Biography: arts and entertainment

Dewey:

791.430233092

Physical Properties

Physical Format:

Paperback

Number of Pages:

344

Dimensions:

Width 178mm, Height 254mm, Spine 18mm

Description

Extraordinarily valuable, illuminating, and even entertaining, Forest of Pressure

brims with the types of information that only a key insider can get his hands on. Mitsuhiro Yoshimoto, New York University

Ogawa Productionsknown in Asia as Ogawa Prowas an influential filmmaking collective that started in the 1960s under the direction of Ogawa Shinsuke (19361992). Between 1968 and the mid-1970s, Ogawa Pro electrified the Japanese student movement with its Sanrizuka documentary serieseight films chronicling the massive protests over the construction of the Narita airportwhich has since become the standard against which documentaries are measured in Japan.

A critical biography of a collective, Forest of Pressure

explores the emergence of socially committed documentary filmmaking in postwar Japan. Analyzing Ogawa Pros films and works by other Japanese filmmakers, Ab Mark Nornes addresses key issues in documentary theory and practice, including individual and collective cinema production modes and the relationship between subject and object. Benefiting from unprecedented access to Ogawa Pros archives and interviews with former members, Forest of Pressure

is an innovative look at the fate of political filmmaking in the wake of the movements demise.

Ab Mark Nornes is associate professor of screen arts and cultures and Asian languages and cultures at the University of Michigan. He is a coordinator at the Yamagata International Documentary Film Festival and the author of Japanese Documentary Film: The Meiji Era through Hiroshima

(Minnesota, 2003).

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