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Powell and Pressburgers War: The Art of Propaganda, 1939-1946

(Hardback)

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Publishing Details

Full Title:

Powell and Pressburgers War: The Art of Propaganda, 1939-1946

Contributors:

By (Author) Professor Greg M. Coln Semenza
By (author) Garrett A. Sullivan Jr.

ISBN:

9798765105733

Publisher:

Bloomsbury Publishing USA

Imprint:

Bloomsbury Publishing USA

Publication Date:

12th December 2023

Country:

United States

Classifications

Readership:

Professional and Scholarly

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Film history, theory or criticism
Second World War

Dewey:

791.436581

Physical Properties

Physical Format:

Hardback

Number of Pages:

288

Dimensions:

Width 152mm, Height 229mm

Description

A focused study on Michael Powell and Emeric Pressburgers cinematic contributions to the war effort, arguing for the centrality of propaganda to their work as film artists. Michael Powell and Emeric Pressburger are widely hailed as two of the greatest filmmakers in British cinema history. The release of their first movie, The Spy in Black, barely preceded the beginning of World War Two, and a number of their early masterworks, including The Life and Death of Colonel Blimp, A Canterbury Tale, and A Matter of Life and Death, were produced in the service of the war effort. Through exploring the relationship between art and propaganda, this book shows that Powell and Pressburger saw no contradiction between their aesthetic ambitions and their cinematic war work: propaganda imperatives were highly conducive to their objectives as both commercial cinema practitioners and artists. Drawing on production materials from the archives of the British Film Institute, this book charts three phases in Powell and Pressburgers wartime career: from first-time collaborators who strive to reconcile popular cinematic forms with developing notions of what constitutes effective propaganda; to accomplished, and sometimes controversial, propagandists whose movies center upon Britains relations with its enemies and allies; to filmmakers whose responsiveness to the propaganda requirements of the late war is matched by a focus, shared by the Ministry of Information, on what the post-war future would bring.

Author Bio

Greg M. Coln Semenza is Professor of English at the University of Connecticut, USA. His books include How to Build a Life in the Humanities (2015), The English Renaissance in Popular Culture (2010), Graduate Study for the 21st Century: How to Build an Academic Career in the Humanities (2005; 2nd ed. 2010), Milton in Popular Culture (2006), and Sport, Politics, and Literature in the English Renaissance (2004). He has published numerous essays on film and adaptation and is now working on a book about Powell and Pressburgers wartime films. Garrett A. Sullivan, Jr. is Liberal Arts Professor of English at Penn State University, USA. He is the author of four monographs, including The Drama of Landscape: Land, Property and Social Relations on the Early Modern Stage (1998), Memory and Forgetting in English Renaissance Drama (2005) and Sleep, Romance and Human Embodiment (2012). His most recent book is Shakespeare and British World War Two Film (2022).

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