The Films of John Schlesinger
By (Author) Julia Prewitt Brown
Anthem Press
Anthem Press
1st September 2019
United Kingdom
Professional and Scholarly
Non Fiction
791.430233092
Hardback
182
Width 153mm, Height 229mm, Spine 26mm
454g
The Films of John Schlesinger is the first comprehensive interpretation of the films of the distinguished eponymous director. It is the first book to do full justice to the director's literary roots, film artistry and capacious understanding of modern life.
The city, with its manifold distractions and violence, its invitation to intoxication and dream, had long served to represent the experience of modernity in works of art at the time John Schlesinger made his acclaimed urban documentary Terminus in 1961. To be a reader of the city was to be a reader of modern life, and Schlesinger was a discriminating, at times relentless, reader of the city throughout his career, especially in his three greatest films, Midnight Cowboy, Sunday Bloody Sunday and The Day of the Locust, set in New York, London and Los Angeles, respectively. His character-driven stories, evocation of the significance of the everyday, and insistence on ambiguities of situation and motive all qualities he was known for point to literary influences that reach back to the nineteenth century and earlier.
The Films of John Schlesinger is not only the first book to fully acknowledge those influences, but also the first book to explicate the power of his art to capture the modern, urban experiences of becoming an adult in an atmosphere that relentlessly promotes fantasies of success and wealth; of coming to terms with one's national identity in the context of international politics; and of attempting to transform the past, both personal and cultural, into a viable present.
This remarkable book situates major films like Billy Liar, Midnight Cowboy and Sunday Bloody Sunday within a lifes work in cinema and other media. There are brilliant analyses of particular shots and moments, and we get a very persuasive picture of Schlesingers continuing concern with the interaction of character and setting, and with questions of moral survival.
Michael G. Wood, Professor Emeritus of English and Comparative Literature, Princeton University, USA
Julia Prewitt Brown is professor emeritus at Boston University, USA, and the author of books on Oscar Wilde, Jane Austen, and the domestic interior in literature and film. She is currently working on a book on the films of Mike Leigh.