James Mason
By (Author) Sarah Thomas
Bloomsbury Publishing PLC
BFI Publishing
25th January 2018
United Kingdom
Tertiary Education
Non Fiction
The arts: general topics
700
Paperback
146
Width 134mm, Height 188mm, Spine 10mm
190g
Sarah Thomas's study moves beyond the image of the brooding, destructive man at odds with employers and his own star status to explore the complexity of Masons career and star persona. Her analysis is structured around three strands central to understanding stardom: the star persona, industry and power, and screen performance. Thomas addresses the incredible range of Masons star career 1930s quota quickies; 1940s Gainsborough melodramas; the desperate IRA man in Carol Reeds Odd Man Out (1947); from the 1950s onwards, Hollywood classics including starring in Hitchcocks North by Northwest (1959) and playing Humbert Humbert in Kubricks Lolita (1962). She also considers in depth his undervalued post-1962 career, off-screen celebrity status, non-film work, comic and vocal performances, and the stars own self-commentary. In doing so, she offers a new perspective on such subjects as power and powerlessness; public image and national identity, contextualizing Mason's career in wider histories of British, American and European transnational filmmaking.
Sarah Thomas is Lecturer in Media and Film at the University of Liverpool, UK. She is the author of Peter Lorre Face Maker: Constructing Stardom and Performance in Hollywood and Europe (2012) and co-editor of Cult Film Stardom: Offbeat Attractions and Processes of Cultification (2012).