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The Cinema of Stephen Chow

(Hardback)


Publishing Details

Full Title:

The Cinema of Stephen Chow

Contributors:

By (Author) Gary Bettinson
Edited by Vivian P.Y. Lee
Volume editor Gary Bettinson
Volume editor Vivian P.Y. Lee

ISBN:

9781350362130

Publisher:

Bloomsbury Publishing PLC

Imprint:

Bloomsbury Academic

Publication Date:

3rd October 2024

Country:

United Kingdom

Classifications

Readership:

Professional and Scholarly

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

Individual film directors, film-makers
Film history, theory or criticism

Dewey:

791.430233092

Physical Properties

Physical Format:

Hardback

Number of Pages:

312

Dimensions:

Width 158mm, Height 236mm, Spine 22mm

Weight:

680g

Description

An in-depth exploration of the stardom and authorship of Stephen Chow Sing-chi, one of Hong Kong cinemas most enduringly popular stars and among its most commercially successful directors. In the West, Chow is renowned as the ground-breaking director and star of global blockbusters such as Kung Fu Hustle (2004) and Shaolin Soccer (2001), and among Hong Kong audiences, Chow is celebrated as the leading purveyor of local comedy, popularising the so-called mo-lei-tau (gibberish) brand of Cantonese vernacular humour, and cultivating a style of madcap comedy that often masks a trenchant social commentary. This volume approached Chow from a diverse range of critical perspectives. Each of the essays, written by a host of renowned international scholars, offers compelling new interpretations of familiar hits such as From Beijing with Love (1994) and Journey To the West (2013). The detailed case studies of seminal local and global hits provide overdue critical attention to Chow's filmmaking, highlighting the aesthetic power, economic significance and cultural impact of his films in both domestic and global markets.

Author Bio

Gary Bettinson is Senior Lecturer in Film Studies at Lancaster University, UK. He is author of The Sensuous Cinema of Wong Kar-wai (2015). He is co-editor (with James Udden) of The Poetics of Chinese Cinema (2016), and (with Daniel Martin) of Hong Kong Horror Cinema (2018). He is chief editor of the journal Asian Cinema. Vivian Lee is author of The Other Side of Glamour: The Left-wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond (2020) and Hong Kong Cinema since 1997: the Post-nostalgic Imagination (2009). She is editor of East Asian Cinemas: Regional Flows and Global Transformations (2011). Her work on Hong Kong cinema, East Asian cinema, and cultural heritage has appeared in collected volumes and academic journals including Modern Chinese Literature and Culture, Journal of Chinese Cinemas, Telos, Wasafari, and International Journal of Heritage Studies.

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