The Cloud-Capped Star (Meghe Dhaka Tara)
By (Author) Manishita Dass
Bloomsbury Publishing PLC
BFI Publishing
26th November 2020
United Kingdom
Professional and Scholarly
Non Fiction
Film history, theory or criticism
791.4372
Paperback
112
Width 135mm, Height 190mm
198g
Ritwik Ghataks The Cloud-Capped Star (Meghe Dhaka Tara, 1960) has been hailed as one of the great classics of world cinema (Adrian Martin), and one of the five or six greatest melodramas in cinema history (Serge Daney). A striking blend of modernist aesthetics and melodramatic force, it is arguably the best-known film by Ghatak, widely considered to be one of the most original, politically committed, and formally innovative film-makers from India. The films focus on a family uprooted by the Partition of India and its powerful exploration of displacement and historical trauma gives it a renewed relevance in the midst of a global refugee crisis. Manishita Dass situates the film in its historical and cultural contexts and within Ghataks film-making career, and connects it to his theatrical work and his writings on film and theatre. Her close reading of the film locates its emotional and intellectual power in what she describes as its cinematic theatricality, and brings into focus Ghataks modernist experiments with melodramatic devices, his deliberate departures from cinematic realism, and distinctive use of sound and music. The book draws on extensive archival research, excavates new layers of meaning, and offers fresh insights into the cosmopolitan cinematic sensibility of a director described as one of the most neglected major film-makers in the world (Jonathan Rosenbaum).
Manishita Dass is Reader (Film & Global Media) in the Department of Media Arts at Royal Holloway, University of London, UK. She is the author of Outside the Lettered City: Cinema, Modernity, and the Public Sphere in Late Colonial India (2016) and has contributed articles on Ghataks films to Screen journal and to Global Art Cinema: New Theories and Histories, ed. Rosalind Galt and Karl Schoonover (2010).