The Discourse of Italian Cinema and Beyond: Let Cinema Speak
(Hardback)
Available Formats
Publishing Details
The Discourse of Italian Cinema and Beyond: Let Cinema Speak
By (Author) Roberta Piazza
Continuum Publishing Corporation
Continuum Publishing Corporation
16th December 2010
United States
Classifications
Professional and Scholarly
Non Fiction
Language: reference and general
Film history, theory or criticism
Semantics, discourse analysis, stylistics
791.430945
Physical Properties
Hardback
272
Width 156mm, Height 234mm
Description
Roberta Piazza's book is a linguistic investigation of the dialogue of Italian cinema covering a selection of films from the 1950s to the present day.It looks at how speech is dealt with in studies of the cinema and tackles the lack of engagement with dialogue in film studies.
It explores the representation of discourse in cinema -- the way particular manifestations of verbal interaction are reproduced in film.Whereas 'representation' generally refers to the language used in texts to assign meaning to a group and its social practices, here discourse representation more directly refers to the relationship between real-life and cinematic discourse.Piazza analyses how fictional dialogue reinterprets authentic interaction in order to construe particular meanings.
Beginning by exploring the relationship between discourse and genre, the second half of the book takes a topic-based approach and reflects on the themes of narrative and identity.The analysis carried out takes on board the multi-semiotic and multimodal components of film discourse. The book uses also uses concepts and methodologies from pragmatics, conversation analysis and discourse analysis.
Reviews
The Discourse of Italian Cinema and Beyond joins a growing body of work that is taking forward work in stylistics by expanding not only the subject of analysis, from poetry and prose fiction to film and television, but also the set of methods in acknowledging the visual alongside the verbal. While Piazza herself is modest in speculating how her investigation might contribute to the study of film within media and cultural studies, this truly interdisciplinary work is a clear contribution to both stylistics and film studies. Piazzas analyses are grounded equally well in linguistics and film theory, and this book stands as a relevant contribution to our knowledge of both discourse and the cinema. -- Susan Mandala, Department of Culture, University of Sunderland, UK * Discourse & Communication *
Author Bio
Roberta Piazza is Reader in Linguistics and English Language at the University of Sussex, UK.
