The Euro-Western: Reframing Gender, Race and the 'Other' in Film
By (Author) Dr Lee Broughton
Bloomsbury Publishing PLC
Bloomsbury Academic
24th December 2020
United Kingdom
Tertiary Education
Non Fiction
Film: styles and genres
Popular culture
791.436278
Paperback
288
Width 138mm, Height 216mm
322g
The Western has always been inextricably linked to the USA, and studies have continually sought to connect its historical development to changes in American society and Hollywood innovations. Focusing new critical attention on films produced in Germany, Italy and Britain, this timely book offers a radical rereading of the evolutionary history of the Western and brings a vital international dimension to its study. Lee Broughton argues not only that European films possess a special significance in terms of the genre's global development, but also that many offered groundbreaking and progressive representations of traditional Wild West 'Others': Native Americans, African Americans and so-called 'strong women'. European Westerns investigates how the histories of Germany, Italy and Britain - and the idiosyncrasies of their respective national film industries - influenced representations of the self and 'Other', shedding light on the broader cultural, historical and political contexts that shaped European engagement with the genre.
Lee Broughton is a freelance writer, critic, film programmer and lecturer in film and cultural studies. He is the editor of Critical Perspectives on the Western: From A Fistful of Dollars to Django Unchained (2016) and Reframing Cult Westerns: From The Magnificent Seven to The Hateful Eight (2020). He has contributed chapters and articles to numerous edited collections and academic journals.