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The Last Modernist: The Films of Theo Angelopoulos

(Hardback)

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Publishing Details

Full Title:

The Last Modernist: The Films of Theo Angelopoulos

Contributors:

By (Author) Andrew Horton

ISBN:

9780313305641

Publisher:

Bloomsbury Publishing PLC

Imprint:

Praeger Publishers Inc

Publication Date:

7th August 1997

Country:

United States

Classifications

Readership:

Tertiary Education

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

Theatre: technical and background skills

Dewey:

791.430233092

Physical Properties

Physical Format:

Hardback

Number of Pages:

162

Dimensions:

Width 156mm, Height 235mm

Weight:

340g

Description

Theo Angelopoulos is widely regarded as one of the most distinctive contemporary filmmakers and a highly idiosyncratic film stylist. His work, from the early 1970s to The Beekeeper, Landscape in the Mist, The Suspended Step of the Stalk and the recent Cannes prize-winner Ulysses' Gaze, demonstrates a unique sensibility and a preoccupation with form (notably, the long take, space, and time) and with content, particularly Greek politics and history, and notions of the journey, border-crossing, and exile. This new collection of essays surveys his entire cinematic output and presents a discussion of his major films, themes, and concerns. The contributors argue that Angelopoulos' sustained oeuvre

Reviews

The Last Modernist's strength lies in its melange of critical thought. The seven essays andone interview present compelling judgments about Andropoulos's art, and the cultural, historical, and political processes that it involves.... essential reading.-Cineaste
"The Last Modernist's strength lies in its melange of critical thought. The seven essays andone interview present compelling judgments about Andropoulos's art, and the cultural, historical, and political processes that it involves.... essential reading."-Cineaste

Author Bio

ANDREW HORTON teaches in the English Department of Loyola University. Among his earlier works are Russian Critics on the Cinema of Glasnost (with Michael Brashinsky) and Writing the Character-Centered Screenplay.

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