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Acting Realism: Theory and Practice from Garrick to Meisner and Beyond

(Paperback)

Available Formats


Publishing Details

Full Title:

Acting Realism: Theory and Practice from Garrick to Meisner and Beyond

Contributors:

By (Author) Stephen Bayly

ISBN:

9781350320215

Publisher:

Bloomsbury Publishing PLC

Imprint:

Methuen Drama

Publication Date:

8th January 2026

Country:

United Kingdom

Classifications

Readership:

General

Fiction/Non-fiction:

Non Fiction

Other Subjects:

Acting techniques
Theatre direction and production

Physical Properties

Physical Format:

Paperback

Number of Pages:

240

Dimensions:

Width 156mm, Height 234mm

Description

If you are struggling to decipher your Boal from your Brecht, your Meisner from your Marowitz, or your Adler from your Artaud, this is the book for you.

Who are the great teachers and theorists of dramatic art
What methods are associated with which practitioners
How does their work connect to one another
When was 'realism' as a concept born
How did David Garrick's ideas about acting impact those of Stanislavski, Grotowski and Brecht
What were the foundational ideas of Joan Littlewood

All of these questions and many, many more are answered in this book, which offers a refreshingly accessible survey of the major acting teachers from the early 1700s up to the present day.

It looks at what their major influences were, where their ideas came from and their legacy.

Structured by practitioner and arranged in chronological order, this much-needed book brings together the foundational acting theories that have shaped the arts scene for centuries.

Author Bio

Stephen Bayly is a respected director and producer with film credits including Coming Up Roses (1986), Just Ask for Diamond (1986), Richard III (1995) and Mrs Dalloway (1997). He was Director of the National Film and Television School UK from 1998 - 2003. He alternates his teaching at the Escuela Internacional de Cine y Televisin in Cuba with travelling extensively to give workshops in other countries, under the auspices of Directing Arts (www.directingarts.com). He is also the author of Working with Actors: Meisner Technique for Directors and Actors.

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