Available Formats
Lin-Manuel Miranda: The Education of an Artist
By (Author) Daniel Pollack-Pelzner
Atlantic Books
Atlantic Books
2nd December 2025
Main
United Kingdom
General
Non Fiction
Theatre studies
Performing arts genres: Drama
Biography: arts and entertainment
Hardback
400
Width 156mm, Height 234mm
How did Lin-Manuel Miranda become the preeminent musical storyteller of the 21st century Daniel Pollack-Pelzner traces Miranda's path from a friendly but often isolated child to the winner of multiple Tonys and Grammys for his Broadway hits Hamilton and In the Heights and his songs in Disney's Moana and Encanto.
Miranda's journey is a testament to the power of creativity, collaboration and cultural synthesis. His insatiable drive to create art and learn from those around him propelled him to synthesize his Latino heritage with the pop, hip-hop and Broadway musical styles of New York City. The unique blend allowed him to craft a new way of telling American stories.
Drawing on over 150 interviews with Miranda's family, friends and mentors, and Miranda himself, Pollack-Pelzner delves into the formative experiences that shaped Miranda's artistic vision. From his early musicals in high school to the creation of his professional masterpieces, this book reveals the sources of Miranda's creativity - not only as innate genius, but as a result of exceptional openness and collaboration. With full access to Miranda's inner circle, this behind-the-scenes origin story is sure to captivate his legions of fans and more.
This insightful biography of the most life-enhancing musical theatre figure of his generation is essential reading, and not just for theatre nuts. I couldn't put it down -- Andrew Lloyd Webber
A must read for any aspiring artist - and for anyone interested in creativity, collaboration and the making of masterpieces like Hamilton -- James Shapiro, author of 1599: A YEAR IN THE LIFE OF WILLIAM SHAKESPEARE
Genius is not a word I use lightly or frequently, but it is the only way I can describe Lin-Manuel Miranda. His combination of creativity and craft is astonishing, and this book, which gives fascinating insights into how he got there, is invaluable to anyone who cares about the art of musical theatre -- Stephen Schwartz, composer of WICKED
Pollack-Pelzner pulls back the curtain on one of the great, exuberant creative minds of our time. Lin-Manuel's work has expanded our national spirit; his collaborative and creative processes - revealed in captivating close-up here - will blow you away -- Quiara Alegra Hudes, co-writer of IN THE HEIGHTS
The life lessons here demystify more than how to make a masterpiece; they teach us how to live. May the origin story of all our heroes be told in this way! -- Rene Elise Goldsberry
I witnessed Lin-Manuel's brilliance performing opposite him in Hamilton every night, and I always wondered where his genius came from. This book reveals his fascinating origin story. It's more than a gripping biography; it's a creative handbook for anyone who wants to innovate, to collaborate, to synthesize their influences into something new -- Leslie Odom, Jr.
I would hear about this little boy who displayed immense passion and curiosity about our animated musicals, along with every other interesting and creative thing that crossed his path. And decades later, I watched him become the unstoppable force behind a new generation of classics as a composer, lyricist, actor, director and producer; and as one of our most brilliant and important artistic voices. It's a pleasure to see Lin's journey reflected in this deeply researched book -- Alan Menken
Everyone knows Lin-Manuel Miranda the icon. This book introduces you to Lin the kid, the collaborator, the relentless tinkerer who never stopped learning. It's a reminder that great art doesn't come fully formed. It's messy. It's joyful. It's made in basements and buses and borrowed pianos. If you've ever been inspired by his work, you owe it to yourself to read the story behind it. This is the mixtape of how it all began. -- Jon M. Chu
Daniel Pollack-Pelzner writes about theatre and contemporary culture for the New Yorker, the Atlantic and the New York Times. Born and raised in Oregon, he teaches theatre history at Portland State University and is the scholar-in-residence at the Portland Shakespeare Project. He lives in Portland with his wife, whom he met in a fifth-grade production of A Midsummer Night's Dream, and their two children.