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Rebel Voices: Monologues for Women by Women: Celebrating 40 Years of Clean Break Theatre Company

(Paperback)


Publishing Details

Full Title:

Rebel Voices: Monologues for Women by Women: Celebrating 40 Years of Clean Break Theatre Company

Contributors:

By (Author) Roisin McBrinn
Edited by Lauren Mooney
By (author) Alice Birch
By (author) Linda Brogan
By (author) Deborah Bruce
By (author) Katherine Chandler
By (author) Sarah Daniels
By (author) Suhayla El-Bushra
By (author) Sonya Hale
By (author) Katie Hims

ISBN:

9781350097506

Publisher:

Bloomsbury Publishing PLC

Imprint:

Methuen Drama

Publication Date:

2nd May 2019

Country:

United Kingdom

Classifications

Readership:

Professional and Scholarly

Fiction/Non-fiction:

Non Fiction

Dewey:

822.9208

Physical Properties

Physical Format:

Paperback

Number of Pages:

120

Dimensions:

Width 138mm, Height 216mm

Weight:

130g

Description

Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform womens lives through theatre. Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues from this canon. Rebel Voices: Monologues for Women by Women celebrates the opportunities inherent when women represent themselves. Offering female performers a diverse set of monologues reflecting a range of characters in age, ethnicity and lived experience, the material is drawn from a mix of published and unpublished works. This book is for any performer who does not see themselves represented in mainstream plays, for lovers of radical womens theatre and for rebels everywhere who believe that the act of speaking and being heard can create change.

Reviews

A very thorough book with some extremely interesting activities outlined for rehearsing Shakespearean monologues. * Word Matters (STSD) *
I fumed and laughed and cried. A rich, varied and timely anthology of monologues for Everywoman. Clean Break is giving actors of ALL ages, ethnicities and backgrounds an opportunity to shine. * Indira Varma, Actor *
Clean Break has an archive of incredible monologues for women; women whose voices arent often heard and whose experience is rarely given this level of complexity and humanity . . . A special resource that I wish had been around when I was at drama school. * Zawe Ashton, Actor and Clean Break Patron *
Rebel Voices is a compelling anthology and a unique insight into a brilliant, ground-breaking theatre company. * Kathy Burke, Theatre Director *

Author Bio

Risn McBrinn is a theatre director. She became Joint Artistic Director of Clean Break in 2018. Prior to this she was Head of the Artistic Programme since 2014 with responsibility for commissioning and developing writers and artists. She has directed many productions including shows at The Abbey Theatre, The Gate Theatre (Dublin), West Yorkshire Playhouse, The Donmar Warehouse, Sheffield Theatres, The Bush Theatre and Sherman Theatre.For Clean Break, she has directed Joanne by Deborah Bruce, Theresa Ikoko, Laura Lomas, Chinonyerem Odimba and Ursula Rani Sarma; House by Somalia Seaton; Amongst the Reeds by Chinonyerem Odimba; and Thick as Thieves by Katherine Chandler. Lauren Mooney is a writer, producer and dramaturg. She joined Clean Break in 2016 and worked as their Literary Producer until autumn 2018, supporting emerging writers and producing the company's engagement work in prisons. Since 2015, she has co-run Kandinsky Theatre Company with director James Yeatman, where her work as producer and co-writer includes Dog Show, Still Ill and Trap Street (all New Diorama Theatre). In 2019, the companys work will include Dinomania (New Diorama Theatre), There Is a Light that Never Goes Out (Royal Exchange Theatre, Manchester) and a transfer of their 2018 show Trap Street to the Schaubhne am Lehniner Platz in Berlin. She is a graduate of the Royal Court Introduction to Playwriting course (2015) and has written extensively about theatre, arts and culture for Exeunt, The Stage and The Guardian. She is currently the David Higham Scholar on the Creative Writing MA at University of East Anglia.

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