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City and Spectacle in Medieval Europe

(Paperback)


Publishing Details

Full Title:

City and Spectacle in Medieval Europe

Contributors:

By (Author) Barbara Hanawalt
Contributions by Kathryn Reyerson

ISBN:

9780816623600

Publisher:

University of Minnesota Press

Imprint:

University of Minnesota Press

Publication Date:

1st May 1994

Country:

United States

Classifications

Readership:

Tertiary Education

Fiction/Non-fiction:

Non Fiction

Other Subjects:

European history: medieval period, middle ages
History of ideas
Political structure and processes

Dewey:

940.1

Physical Properties

Physical Format:

Paperback

Number of Pages:

352

Dimensions:

Width 152mm, Height 229mm, Spine 18mm

Description

Medieval Europe is known for its sense of ceremony and drama. Knightings, tournaments, coronations, religious processions, and even private celebrations such as baptisms, weddings and funerals were occasions for ritual, feasting and public display. This volume takes a comprehensive look at the many types of city spectacles that entertained the masses and confirmed various messages of power in late medieval Europe. Bringing together leading scholars in history, art history, and literature, this interdisciplinary collection aims to set new standards for the study of medieval popular culture. Drawing examples from Spain, England, France, Italy, and the Netherlands, most of them in the 15th century, the authors explore the uses of ceremony as statements of political power, as pleas for divine intercession, and as expressions of popular culture. Their essays show us spectacles meant to confirm events such as victories, the signing of a city charter, the coronation of a king. In other circumstances, the spectacle acted as a battleground where a struggle for the control of the metaphors of power is played out between factions within cities, or between cities and kings. Yet other ceremonies called upon divine spiritual powers in the hope that their intervention might save the urban inhabitants. We see here a public cognizant of the power of symbols to express its goals and achievements, a society reaching the height of sophistication in its manipulation of popular and elite culture for grand shows.

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