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Justice Performed: Courtroom TV Shows and the Theaters of Popular Law

(Paperback)

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Publishing Details

Full Title:

Justice Performed: Courtroom TV Shows and the Theaters of Popular Law

Contributors:

By (Author) Sarah Kozinn

ISBN:

9781472527844

Publisher:

Bloomsbury Publishing PLC

Imprint:

Methuen Drama

Publication Date:

29th January 2015

Country:

United Kingdom

Classifications

Readership:

Tertiary Education

Fiction/Non-fiction:

Non Fiction

Main Subject:
Other Subjects:

Theatre studies
Media studies

Dewey:

791.453

Physical Properties

Physical Format:

Paperback

Number of Pages:

280

Dimensions:

Width 138mm, Height 216mm

Weight:

398g

Description

Justice Performed: Courtroom TV Shows and the Theaters of Popular Law is the first study of the reality TV genre to trace its theatrical legacy, connecting the phenomenon of the daytime TV shows to a long history of theatrical trials staged to educate audiences in pedagogies of citizenship. It examines how judge TV fulfills part of law's performative function: that of providing a participatory spectacle the public can recognize as justice. Since it debuted in 1981 with The People's Court, which made famous its star jurist, Judge Joseph A. Wapner, dozens of judges have made the move to television. Unlike the demographics in actual courts, most TV judges are non-white men and women hailing from diverse cultural and racial backgrounds. These judges charge their decisions with personal preferences and cultural innuendos, painting a very different picture of what justice looks like. Drawing on interviews with TV judges, producers and production staff, as well as the author's experience as a studio audience member, the book scrutinizes the performativity of the genre, the needs it meets and the inherent ideological biases about race, gender and civic instruction.

Reviews

Justice Performed is a very welcome addition to the field of media and performance studies. Kozinns unique contribution to the literature is that she views the shows through the lens of performance theory, rather than the legalistic perspective employed by most researchers. * TDR: The Drama Review *

Author Bio

Sarah Kozinn is a Mellon postdoctoral fellow in the Department of Theater at Occidental College in Los Angeles, California, USA. She is a scholar of law and performance, develops new works for film, TV and the web, and acts professionally in film, theater and television.

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